It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 8, 2015, 03:56 PM
http://www.goldderby.com/news/10810/pscar-editing-...
As we launch the Best Editing category in our Oscars predictions center, we must note that the category is known for its close correlation with Best Picture. Since 1981, every Best Picture winner has at least been nominated in this category -- except one. Last year "Birdman" became the first film in more than three decades to buck that trend; it was snubbed for Best Editing, but won Best Picture anyway. Does that mean the link between the categories is broken, or do you think last year's outcome...
November 8, 2015, 07:29 AM
http://cinescopophilia.com/what-is-a-lut-what-do-l...
Casey quickly runs through what LUTs are and what programmes to use to access them to grade your footage.
November 8, 2015, 07:29 AM
http://www.prweb.com/releases/2015/11/prweb1306010...
Pixel Film Studios FCPX Toolbox: Volume 4 is a collection of useful editing tools designed to help expedite work flow and create new looks within Final Cut Pro X. Toolbox 4 includes a set of color correction tools, a text skew tool, real-time analog clocks, a pixel ruler tool, spot focus, thermal effects, and flow tools. Each tool boasts an intuitive interface for maximum ease of use and optimal editing efficiency.
November 8, 2015, 07:29 AM
http://blog.alex4d.com/2015/11/05/alex4d-animation...
This week I’ve launched my first big plugin pack for Final Cut Pro X. Drop Alex4D Animation Transitions onto titles, images, videos and generators to animate them on or off the screen. Instead of a logo or text just appearing, it can slide, spin, scale or skid on. You can also animate clips off screen.
November 6, 2015, 08:18 PM
http://animationguildblog.blogspot.ca/2015/11/more...
Yesterday I was walking around the studio of one of our fine entertainment conglomerates, and a board artist asked me: "Aren't we losing jobs here? I mean, California is a high tax state, right?"
November 6, 2015, 01:43 PM
http://www.videoguys.com/blog/news-and-sales/newbl...
Last year, Avid changed the way the released upgrades and updates to Media Composer editors by offering annual support contracts that allow all users to keep their software current. Now many of those contracts are coming up for renewal and NewBlue FX has announced two special value-added promotions. Renew your Avid Media Composer Standard Support Read More The post NewBlue FX Announces Special Upgrade Opportunities for Avid Media Composer Renewals appeared first on Videoguys Blog.
November 6, 2015, 01:43 PM
http://www.premiumbeat.com/blog/creating-the-illus...
Creating the illusion of speed can be surprisingly difficult, regardless of whether or not your subject is actually moving quickly. Here are some common techniques you can apply to your filmmaking to turbocharge on-screen action.
November 6, 2015, 01:42 PM
http://www.digitalproductionbuzz.com/2015/11/trans...
Digital Production Buzz November 5, 2015 [Transcripts provided by Take 1 Transcription] (Click here to listen to this show.) HOSTS Larry Jordan Mike Horton SEGMENTS Tech Talk with Michael Kammes BuZZ Flashback: Patrick Inhofer GUESTS Evan Williams, CEO & Co-Founder, Riverview Systems Group Ryan Neil Postas, Film Maker, Elevated Minds Entertainment === Larry Jordan: Tonight on The Buzz, Evan Williams is the CEO and Co-founder of Riverview Systems Group, a 28 year old Silicon V...
November 6, 2015, 01:41 PM
http://www.videoguys.com/blog/video-editing/avid-i...
Avid ISIS 1000 is allowing post facilities and shops to share storage among Adobe Premiere Pro, Avid Media Composer, Apple Final Cut X and other NLEs. It is a very straightforward installation and the graphical interface makes managing your storage adn projects simple and easy. For under $20K small shops can now collaborate on projects Read More The post Avid ISIS 1000 Brings Shared Storage for Adobe Premiere Into the Banditio Brothers Workflow appeared first on Videoguys Blog.
November 6, 2015, 01:41 PM
http://www.npr.org/2014/07/05/328842704/what-does-...
A British "sensory branding company" called Condiment Junkie wanted to know the answer. They specialize in sound design for all sorts of advertisements. Now they're taking a look at how they might use sound design to make better beverage ads. Take the sound of water pouring in this Twinings Tea commercial.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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