To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Comparing wireless audio mixer’s specs: Behringe

June 13, 2016, 05:56 AM

http://www.provideocoalition.com/comparing-wireles...

Thanks to two colleagues, I have become aware of inexpensive wireless audio mixer offerings from Behringer/Midas & Mackie. Alex Lindsay told me about the former, and Melvin Rivera Velázquez the latter. Both offerings eliminate nearly all onboard controls in favor of controlling remotely from an Android or iOS device, and one also allows controlling from The post Comparing wireless audio mixer’s specs: Behringer/Midas & Mackie appeared first on ProVideo Coalition.

How I Became a Curmudgeon at 25 Years Old

June 13, 2016, 05:56 AM

https://americancinemaeditors.org/how-i-became-a-c...

I am a professional film editor (Empire, Glee, Burn Notice), and I have lived in the trenches for fifteen years. I’ve cut episodic television, studio features, indies, theatrical trailers, EPK’s, documentaries, you name it. I’ve had a lot of different experiences…all of them the same working environments: Long hours, no days off, sitting in one position, mostly sedentary, in a dark room. For years. And it almost destroyed me.

Kampen om konsulentordningen

June 13, 2016, 05:56 AM

http://rushprint.no/2016/06/kampen-om-konsulentord...

Aage Aaberge krever en evaluering av konsulentsystemet. Yngve Sæther og Maria Ekerhovd ønsker også en gjennomgang, men frykter en snik-markedstilpasning av konsulentfilmen. Kampen om støttesystemet er i gang i forkant av NFIs utarbeiding av nye forskrifter.

REVIEW – Screenflow 6 from Telestream

June 12, 2016, 02:06 AM

http://www.provideocoalition.com/review-screenflow...

When you do a ton of online training, like I do, there are two hugely important factors that you need to consider, when getting yourself set up.  First is the microphone.  For anyone that’s interested, I recently switched from a Sennheiser microphone, to an Audio Technica A2020, which is a fantastic microphone, USB based, for The post REVIEW – Screenflow 6 from Telestream appeared first on ProVideo Coalition.

10 Great Movies Almost Ruined By Bad Editing

June 11, 2016, 05:21 PM

http://whatculture.com/film/10-great-movies-that-w...

Orson Welles once said that "the notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.”

WWDC - What we'd like to see in OS X 10.12

June 11, 2016, 05:12 AM

http://www.digitalrebellion.com/blog/posts/wwdc_wh...

WWDC is right around the corner and Apple will most likely be unveiling a new version of OS X. Here's what we'd like to see.  HEVC / H.265 support H.265 (also known as HEVC), promises to halve the bitrate of its predecessor, H.264. This means that you can deliver the same video at half the bandwidth, or alternatively double the quality within the same bandwidth. This could greatly increase the popularity of 4K video on the web.  The problem so far has been a legal one - instead of h...

Film Editor Techniques

June 11, 2016, 05:12 AM

https://digitalfilms.wordpress.com/2016/06/11/film...

Editing is a craft that each editor approaches with similarities and differences in style and technique. If you follow my editor interviews or those at Steve Hullfish’s Art of the Cut series, then you know that most of the top editors are more than willing to share how they do things. This post will go […]

VÍDEOTUTORIAL: Reemplazar clips en Final Cut Pro

June 10, 2016, 09:12 AM

http://www.finalcutpro.es/2016/06/video-reemplazar...

Seguro que la mayoría de vosotros conocéis las opciones básicas de edición en Final Cut Pro X, tales como insertar, sobreescribir, agregar o conectar clips. Pero hay una opción que no aparece en los menús y que puede resultar muy útil. Se trata de reemplazar, vamos a ver como funciona en el siguiente vídeo. La entrada VÍDEOTUTORIAL: Reemplazar clips en Final Cut Pro X aparece primero en finalcutpro.es.

NYC’s Industrial Color grows with editor Bruce A

June 10, 2016, 09:12 AM

http://postperspective.com/nycs-industrial-color-g...

New York’s Industrial Color, a 25-year-old creative studio known working in fashion and beauty post work, has added two veterans to its staff. The hiring of editor Bruce Ashley and executive producer Gary Giambalvo to its staff. The moves fit in with the company’s growth strategy targeting advertising and branded content production. Continue reading →June 10, 2016

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