To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

NewBlueFX Titler Pro 4 is the titling tool Avid Ed

October 28, 2015, 10:00 AM

http://www.videoguys.com/blog/video-editing/newblu...

In this article our good friend Kevin P. McAuliffe talks about the differences between the latest version of NewBlueFX Titler Pro 4 and the older versions that come bundles with the various flavors of Avid Media Composer.  Titler Pro has come a long way and the features and performance of Titler Pro 4 will blow Read More The post NewBlueFX Titler Pro 4 is the titling tool Avid Editors have been waiting for appeared first on Videoguys Blog.

Creating Zero Gravity for The Martian

October 28, 2015, 10:00 AM

http://www.thecredits.org/2015/10/how-the-martians...

As The Martian continues its impressive box office run and enjoys some early Oscar buzz, The Credits talks to Richard Stammers, the film’s visual effects supervisor and a frequent collaborator with Ridley Scott, about the dual challenge of recreating the Mars landscape and simulating a convincing zero gravity environment without anyone having to get in a “vomit comet”.

THE LAST WITCH HUNTER: Ara Khanikian - VFX Supervi

October 28, 2015, 09:59 AM

http://www.artofvfx.com/the-last-witch-hunter-ara-...

In 2013, Ara Khanikian had explained in detail the work of Rodeo FX on NOW YOU SEE ME. He then worked on many projects and oversaw the visual effects of BIRDMAN and TOMORROWLAND. He now talks about THE LAST WITCH HUNTER, which marks the third Rodeo FX collaboration with Nick Brooks.

Colour Balancing and Correcting Footage in Resolve

October 28, 2015, 09:59 AM

http://www.4kshooters.net/2015/10/28/colour-balanc...

Colour balancing is an essential aspect of every colour correction workflow and a mandatory step before plunging deeper into more advanced colour processing and further tweaking. Every colour grading piece of software or even a typical NLE provides the tools required to perform the task, as the processing principles and adjustments are similar and can be applied in almost every situation.

Softube Announce Fix Flanger and Doubler Plugins

October 28, 2015, 09:59 AM

http://logic-pro-expert.com/logic-pro-blog/2015/10...

Softube just announced two new plugins developed in close collaboration with Paul Wolff (API, Tonelux, Fix Audio) to be released on November 9th: Fix Flanger and Doubler.

The Walk used the largest Cloud computer in histor

October 28, 2015, 09:59 AM

http://www.thecredits.org/2015/10/how-the-walks-vf...

Director Robert Zemeckis’s long gestating project The Walk, on Philippe Petit’s once in a lifetime high-wire walk across the Twin Towers of The World Trade Center on August 7th, 1974 finally reached the screen this month, in glorious 3-D utilizing breathtaking visual effects. We spoke to VFX Supervisor Kevin Baillie & VFX Producer Camille Celluci by phone on how the production team was able to re- create in such immense detail both the Twin Towers and the 1974 New York skyline on a tight bud...

A Day in the Life

October 28, 2015, 09:59 AM

http://linecheck.soundgirls.org/2015/10/28/a-day-i...

It was an insanely busy August and September for me. A veritable hurricane of huge shows, little shows, corporate events, prime time live television shows, one day shows, studio installation for long running shows rinse and repeat.

Draw Mask Feature in FCPX

October 28, 2015, 09:59 AM

http://www.geniusdv.com/news_and_tutorials/2015/10...

Learn how to use the new 'Draw Mask' feature within Final Cut Pro X. Key fundamentals in this lesson include:

BBC crew reveal audio trickery behind new nature s

October 28, 2015, 09:58 AM

http://www.telegraph.co.uk/news/bbc/11956236/BBC-c...

To viewers of The Hunt, the BBC’s new natural history series, the crunch of polar bear paw onto virgin Arctic snow will come through crystal clear. But a crew member from the corporation’s landmark new programme has disclosed that filmmakers had to resort to audio trickery to capture the sounds of the show’s fearsome animals.

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