It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 14, 2014, 04:54 AM
http://digitalcinemacafe.com/2014/05/14/dcc049-tic...
48 hour film festivals and broadcast deadlines are standard operating procedures for our guest Dylan Reeve. As a post supervisor in Auckland, Dylan is responsible for 250 30 minutes episodes a year. You’ll want to listen to hear about how just how young he was when he decided what he wanted to do for a living and don’t miss the end of this episode where he discusses his upcoming kickstarter campaign.
May 11, 2014, 07:01 AM
http://www.stevenbenedict.ie/2014/05/usual-suspect...
The greatest trick the devil ever pulled was to convince the world he didn't exist. Is this the greatest heist movie ever made, or is it just another trick?
May 9, 2014, 09:42 AM
http://www.aotg.com/cuttingroom/2014/05/09/christo...
Christopher and Gordon discuss Moneyball and Capote.
May 9, 2014, 09:42 AM
http://www.aotg.com/cuttingroom/2014/05/09/christo...
In this episode, Gordon talks to Christopher about editing the movie Kids and talks about Art and photography’s influence on him. Part 1 | Part 3
May 9, 2014, 09:42 AM
http://www.aotg.com/cuttingroom/2014/05/09/meet-th...
Edit Button 2.0 – Grog Movies Team Interview
May 9, 2014, 04:37 AM
http://digitalcinemacafe.com/2014/05/09/fcg045-the...
How do the clients see FCPX? Today I sit down with a long time client of mine and we discuss the path from FCP7 to Adobe Premiere to FCPX and how Gordon saw the advantages for his company as my client. We also revisit the whole, iMovie Pro discussion a bit. Gordon is the Vice President and Chief Marketing Officer (or something like that) of the company he works for and we have enjoyed a unique and long business relationship and friendship. I think you’re going to enjoy this conversation.
May 7, 2014, 12:41 PM
http://www.digitalproductionbuzz.com/2014/05/digit...
On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests Dan Borunda, Brad Weyl, and Larry O'Connor: Growing a Family-Run Graphics Business 20 Years and Still Growing. How? Inside Other World Computing
May 6, 2014, 04:36 PM
http://digitalcinemacafe.com/2014/05/06/dcc048-rel...
After several years of hard work its time to show the world. Alex has worked tirelessly as Executive Producer and Post Supervisor on Valiant. On this weeks episode we talk with Robin Phillips, Writer and Director, and hear how this project came to be from concept to completion. Although a short film, Valiant ended up having twice as many visual effects shots as Jurassic Park. We discuss at great length how miniatures and practical effects were used in this project.
May 5, 2014, 04:28 AM
http://digitalcinemacafe.com/2014/05/05/fcg044-the...
Brand new editor Julian Faras, shares his views on FCPX and why its a powerful tool for him. Also, why do we cut the corners off the ham.
May 2, 2014, 07:41 AM
http://digitalcinemacafe.com/2014/05/02/fcg043-the...
Do you remember when we used to discuss the picture quality of an NLE? Believe it or not that was a big deal. Sean Lander and I discuss the old days and the various points in tech history where giant changes were made and some people got left behind. Sean also talks about how in FCPX he is “Always in the zone”.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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