It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 24, 2015, 05:35 AM
http://www.artofvfx.com/transporter-legacy-making-...
Cool making of by Mac Guff about their VFX work on THE TRANSPORTER LEGACY...
October 24, 2015, 05:35 AM
http://animationguildblog.blogspot.ca/2015/10/at-d...
Steve Kaplan (TAG's expert organizer) and I today did the rounds of Walt Disney Animation Studios' Tujunga Avenue studio, a large rectangular building that sits within spitting distance of the end of Burbank/Bob Hope Airport's main runway...
October 23, 2015, 04:12 PM
http://www.provideocoalition.com/media-composer-10...
In this lesson, Kevin P McAuliffe answers another question that was asked in the "Avid Editors of Facebook" group about exporting MP4's from Media Composer!
October 23, 2015, 04:12 PM
https://news.creativecow.net/story/879961
(New York, New York--October 23, 2015) Integrated creative studio Mixtape Club has undergone a sweeping expansion that includes enlarged facilities and a newly forged partnership with longtime sister company Huma-Huma. The announcement comes on the heels of a benchmark year, including a slew of work with Google, as well as collaborations with ESPN, MoMA, and a music video for They Might Be Giants.
October 23, 2015, 12:21 PM
http://www.youtube.com/watch?v=jJheSy57ZA8
From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive. John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayton", "The Bourne Legacy", "Nightcrawler", "Pacif...
October 23, 2015, 12:21 PM
http://www.digitalproductionbuzz.com/2015/10/trans...
GUESTS Zane Pond, Actor/Comedian Cas Anvar, Actor/Comedian Richard Hatch, Actor, Director, Writer & Teacher Larry O'Connor, President & Founder, Other World Computing The post Transcript: Digital Production Buzz – October 22, 2015 appeared first on Digital Production BuZZ.
October 23, 2015, 12:21 PM
http://www.studiodaily.com/2015/10/rampant-design-...
Motion graphics artists and editors just got another suite of time-saving QuickTime elements to drop into their timelines from the folks at Rampant Design. The company has released Rampant Motion Graphics for Editors v1 and v2, a packed set of … more » The post Rampant Design Ramps Up Mograph Style Libraries appeared first on Studio Daily.
October 23, 2015, 12:21 PM
http://bryoncaldwell.blogspot.ca/2015/10/jurassic-...
Panelists include Overall Visual Effects Supervisor Tim Alexander, and Animation Supervisor Glen McIntosh and moderated by VES 2nd Vice Chair Richard Winn Taylor II, VES.
October 23, 2015, 12:20 PM
https://www.rocketstock.com/blog/how-to-color-corr...
If you’re a working editor or colorist, chances are you’ve faced the challenge of matching straight-out-of-the-camera shots that just don’t look right. Even if the cameras had the same exposure/white balance settings, there will still likely be some obvious differences in contrast, saturation, and color balance between them. This can be a result of different color science, camera settings, or lens choice.
October 23, 2015, 09:12 AM
http://www.premiumbeat.com/blog/pulling-a-clean-gr...
DaVinci Resolve may be known as one of the world’s best color grading platforms, but its compositing/chroma key tools are just as impressive.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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