It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 14, 2010, 04:27 PM
http://thefinecut.blogspot.com/2010/05/first-year-...
One year ago today, I started this blog. 45 posts later, I realize that I might have something worth continuing and never imagined the incredible support I would get from readers, as well as terrific bloggers like Craig Simpson, Jason Bellamy, Ed Howard amongst others (please visit all of the blogs listed on the right side of this page) who usually comment here.
May 13, 2010, 04:23 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
"Days of Our Lives is a completely in-house operation," says lead editor and associate director Lugh Powers. "Deadlines are intense. The production company requires the maximum in speed, flexibility and reliability to produce a daily one-hour program. Because we have such a fast turnaround from production to air, we get pretty aggressive with time management and efforts to streamline the workflow."
May 12, 2010, 04:14 PM
http://postfifthpictures.com/2010/05/avoiding-cutt...
I will be the first to admit that I don’t always work on some exciting stuff. Every once in a while we’ve all had to fill in the cracks, pay the bills, call it what you want. I get pretty bored in the middle of these edits sometimes. I start to daydream of the last project I was on or surf the internet or twitter or end up watching all SNL Digital Shorts known to man to avoid cutting. When it comes down to it, they need to get done though.
May 10, 2010, 04:08 PM
http://www.joyoffilmediting.com/?p=2780
I expected this book to be just a bunch of budget forms with boring explanations. Was I off the mark! It’s a 465-page handbook that educates moviemakers on what happens in each stage of a project, explaining how to anticipate a film so that the process runs as smoothly as possible. Veteran producer...
May 7, 2010, 04:03 PM
http://www.joyoffilmediting.com/?p=2769
Many editors who cut on film and made the switch to video or straight to digital complained that they missed the feel of the film in their hands, insisting that this was a vital part of editing that was lost in the transition.
May 6, 2010, 03:57 PM
http://normanhollyn.com/2010/05/04/how-we-learn-an...
When I first started teaching at USC’s film school some eight years ago a much much wiser person than me told me that there were several things I needed to know in order to teach well.
May 5, 2010, 03:55 PM
http://www.joyoffilmediting.com/?p=2762
I’ve always been amused by the double entendre of this phrase, appreciated only by those in our business. A paper cut is a linear ordering of topics, lines, shots, and sounds to include.
May 5, 2010, 12:54 PM
https://www.aotg.com/cutting-room-eps-030-julian-clarke-pt-3/
This week Gordon concludes his interview with Julian Clarke, editor of District 9. In this episode Julian talks about editing effects, working with Peter Jackson as a producer and much more.
April 28, 2010, 07:07 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
There will be a memorial service for Dede Allen, A.C.E. Steven J. Ross Theatre Warner Bros. 4000 Warner Boulevard Burbank, CA Sunday, May 16, at 3:00 p.m. "In the spirit of Dede, feel free to wear bright colors."
April 27, 2010, 07:04 PM
http://icutfilm.com/post/553517281/truly-one-of-my...
Truly one of my heroes. Dede was an amazing artist and storyteller.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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