It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 28, 2016, 05:15 PM
https://news.creativecow.net/story/880657
( FRIEDRICHSDORF, Germany--January 28, 2016) The Cineware Live 3D pipeline first introduced in After Effects CC offers improved workflow and greater performance. OpenGL rendering is now available within the Cineware effect, providing increased speed and higher quality results than the software render option. Users can now choose to automatically sync the After Effects and Cinema 4D time sliders. The new Cinema 4D Take System, introduced in R17, the latest Cinema 4D release, is also supported: Af...
January 28, 2016, 05:14 PM
https://video.tv.adobe.com/v/14735t1/
Sundance Editing Panel
January 28, 2016, 01:32 PM
http://www.hollywoodreporter.com/behind-screen/a-g...
American Cinema Editors' 66th annual ACE Eddie Awards will be presented Friday at the Beverly Hilton Hotel in Los Angeles. Here's some things to know about this year's ceremony.
January 28, 2016, 01:29 PM
http://lesterbanks.com/2016/01/creating-fake-type-...
Mikey Borup shares a great tip for turning a regular font into block-type for animated sequences in Ae. The Post Creating Fake Type for Infographics Animation in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
January 28, 2016, 01:29 PM
http://filmschoolrejects.com/features/the-sound-of...
Sundance is in full swing as filmmakers, actors, and press have descended upon Park City to bring us films we will surely be talking about for months to come. Getting a film into Sundance is a prestigious honor, and not an easy one to come by. Thousands of films are submitted to the festival each year, but only a few hundred get accepted.
January 28, 2016, 01:28 PM
http://soundworkscollection.com/news/dolby-atmos-t...
Virtual reality (VR) offers storytellers an exciting new format to tell immersive stories and transport audiences in a way that was pure fantasy only a few years ago. Put on a headset with high-fidelity headphones, and suddenly you can be anywhere a filmmaker can imagine, choosing for yourself where to look and how to experience the story with a simple turn of your head.
January 28, 2016, 10:50 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — It's Always Sunny in Philadelphia returned to FXX in early January and Ring of Fire (www.ringoffire.com), here, helped take the gang to places they had never gone before for the show’s 11th season. From creating an 'attack bird' to taking out the opposing attorney in the Maureen Ponderosa Wedding Day Massacre trial, to exploding Danny Devito’s head in a drug induced haze, this season makes use of numerous visual effects.
January 28, 2016, 10:50 AM
http://www.btlnews.com/crafts/post-production/avid...
RED Digital Cinema and Avid announced that Avid DNxHR and Avid DNxHD recording formats will be coming to RED’s DSMC2 line of professional cameras – Weapon, Scarlet-W and RED Raven. The post Avid Codecs Integrated with RED Cameras appeared first on Below the Line.
January 28, 2016, 10:50 AM
http://www.btlnews.com/awards/contender-portfolios...
When executive producer Jason McGatlin called production sound mixer Stuart Wilson about an unnamed project he was developing, the conversation was short, but after setting up a time to meet he ended it with, “If you put two and two together, you could maybe guess what it is.” Turns out, it was J.J. Abrams’ Star Wars: The Force Awakens. The post Contenders – Sound Mixers Stuart Wilson, Andy Nelson and Christopher Scarabosio, Star Wars: The Force Awakens appeared first on Below the Line.
January 28, 2016, 10:50 AM
http://www.postmagazine.com/Press-Center/Daily-New...
SYDNEY, AUSTRALIA — When many studios are limited to one facility and a small bank of computers, Australia’s Cutting Edge was sitting on a gold mine – two big VFX studios and all the hardware that came with them. Two times the resources doesn’t mean two times the efficiency, though, especially when your farms don’t talk to each other. To create that bridge, the team invested in PipelineFX’s Qube!, a render farm management tool tailored to the needs of big VFX projects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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