To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mixing Alternative in REAPER

February 18, 2016, 05:09 PM

http://reaperblog.net/2016/02/mixing-alternative-i...

Alex Wilkinson has recently published a free video series on mixing an alternative song. Alex uses REAPER and gives us a good insight into his workflow plus tons of great little workflow tips. The setup video alone had 3 workflow tips I hadn’t thought of before, so needless to say, this is well worth viewing.

NUGEN Audio at the 2016 NAB Show

February 18, 2016, 01:35 PM

http://www.broadcastbeat.com/nugen-audio-at-the-20...

2016 NAB Show Preview NUGEN Audio April 18-21 At the 2016 NAB Show, NUGEN Audio will demonstrate the latest updates to its industry-leading family of post-production and broadcast audio tools. These include significant updates to the company’s upmixing, batch processing, and offline loudness tools. Halo Upmix Stereo to 9.1 Option NUGEN Audio will unveil an ...

Launch of RX Plug-in Pack and Audio Cookbook

February 18, 2016, 10:27 AM

https://www.izotope.com/en/company/press-room/pres...

iZotope, Inc., Cambridge, MA (February 18, 2016) - iZotope, Inc., makers of award-winning tools for audio production, is announcing two new developments that support the creative community’s pursuit of better-sounding audio.

Interview: Downton Abbey composer John Lunn

February 18, 2016, 05:49 AM

http://www.audiomediainternational.com/interview/i...

Now one of the UK’s top TV composers after decades spent honing his craft on shows such as 'Going Postal' and 'Hotel Babylon', two-time Emmy winner John Lunn is best known for his work on 'Downton Abbey', which had its grand finale recently. Adam Savage asks him to look back on what made the show so successful and reveal his 2016 plans...

iZotope DDLY demo and review

February 17, 2016, 01:21 PM

http://reaperblog.net/2016/02/izotope-ddly-demo-an...

Jon tries out the new free dynamic delay plugin from iZotope DDLY, aka diddly.

The Sound Effects Genius Behind The Looney Tunes

February 17, 2016, 10:17 AM

http://www.neatorama.com/neatogeek/2016/02/11/The-...

Back in the good old days of showbiz, sound effects were created by foley artists who made a racket and recorded their sounds right on the spot, without any digital help or enhancement.

Dolby PRM team wins Academy Award for imaging solu

February 16, 2016, 08:24 PM

http://blog.dolby.com/2016/02/dolby-prm-team-wins-...

Trevor Davies was snowshoeing with his son on Mount Shasta in California recently when he received a text: he and four colleagues had won an Academy Award® for development of the Dolby® Professional Reference Monitor (PRM) series. The text was from his colleague Matthew Robinson, whose wife had flagged him down while she was on the phone and waved an iPad® at him, the Academy’s January 8 press release announcing the win on the screen.

The Revenant’s sound team takes home BAFTA

February 16, 2016, 01:30 PM

http://postperspective.com/15757-2/

The Revenant sound team has won the Best Sound award at the British Academy of Film and Television Arts (BAFTA) Awards ceremony . Winning the award was supervising sound editor and Formosa Group talent Lon Bender, along with supervising sound editor Martin Hernandez, supervising sound editor/re-recording mixer Randy Thom, production sound mixer Chris Duesterdiek and re-recording mixers Frank A. Montano and Jon Taylor. Other nominees in the category include Bridge of Spies, Mad Max: Fury R...

Sunday Sound Thought 7 – Time Travel

February 15, 2016, 07:17 AM

http://designingsound.org/2016/02/sunday-sound-tho...

As the year continues, many of these posts will be phil […]

Good sound gives films emotion

February 13, 2016, 06:16 AM

http://variety.com/2016/artisans/awards/good-sound...

Around this time of year, supervising sound editor Mark A. Mangini finds himself fielding phone calls from fellow Academy of Motion Picture Arts and Sciences members who aren’t part of the sound branch.

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