It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 21, 2016, 06:33 AM
https://events.creativecow.net/event/4158/avid-ass...
The job of the assistant editor has never been so tough. Assistants are expected to handle a dizzying array of tasks including how to ingest a myriad range of file formats and codecs, Sync and group multiple cameras, prep for export and on-line and of course, organize, organize, organize. Assistants are often expected to know everything from “why did my computer crash” to “why can’t I AMA link my 5D footage” to “where are my are keys?!”.
January 21, 2016, 06:26 AM
http://blogs.adobe.com/creative/visual-storytellin...
Seit dem App-Start im Jahr 2014 wurde Adobe Voice bereits über 3,5 Millionen Mal für das iPad heruntergeladen und viele von euch haben sich die App zudem auch fürs iPhone gewünscht. Voilá: Ab sofort ist die Storytelling-App im App Store auch für das Smartphone von Apple erhältlich – und zwar kostenlos. Zum Download von Adobe Voice geht es hier entlang. http://blogs.adobe.com/creative/files/2016/01/Voice-iPhone-App-Store-Video.mp4 Präsentiert eure Geschichten nicht ein...
January 21, 2016, 06:26 AM
http://www.provideocoalition.com/art-of-the-cut-wi...
Maryann Brandon and Mary Jo Markey have a long and fruitful collaboration with the prolific J.J. Abrams. The team’s latest collaboration, “Star Wars: Episode VII - The Force Awakens” has earned Brandon and Markey Oscar nominations for Best Editing.
January 21, 2016, 06:25 AM
http://thefcpxeditor.tumblr.com/post/137629234928/...
A FCP X Roles based audio mixer has been high on the feature request lists of many many editors for years. Coming in at number two on FCPX.TV’s list, for example. It appears Apple was listening.
January 21, 2016, 06:25 AM
https://logicxinterfaces.wordpress.com/2016/01/21/...
Here's version A. (I might make some improvements later, but that should be good enough for now.)
January 21, 2016, 04:03 AM
http://jonnyelwyn.co.uk/film-and-video-editing/the...
What did it take to make The Revenant? A lot of blood, sweat and (frozen) tears. Check out this round up on the filming, editing, colour grading and sound mix on this Oscar nominated epic.
#making of#making the revenant#editing the revenant#colour grading the revenantJanuary 21, 2016, 03:42 AM
http://jonnyelwyn.co.uk/film-and-video-editing/tra...
Should you spend nearly a thousand dollars on Red Giant's latest release of the entire Trapcode Suite? Hear from an editor and a motion graphics artist for the answer!
#red giant#review#trapcode 13 suite#after effects plugins#trapcode particular reviewJanuary 20, 2016, 05:12 PM
http://www.postmagazine.com/Press-Center/Daily-New...
FREMONT, CA — Blackmagic Design has released a free DaVinci Resolve 12.2 update that adds support for the latest color science technologies, along with decoding of HEVC/H.265 QuickTime files on OS X, and additional high dynamic range features. The DaVinci Resolve 12.2 update is available now for both Resolve 12 and Resolve 12 Studio customers, and can be downloaded from the Blackmagic Design Website (www.blackmagicdesign.com).
January 20, 2016, 05:12 PM
http://www.digitalproductionbuzz.com/2016/01/digit...
On the Digital Production Buzz, Larry Jordan talks with guests David Tillman, and Nick Mattingly. Editing "O.J. Speaks: The Hidden Tapes" Live Multicam Streaming Direct to YouTube Using Switcher Studio Randi Altman's Perspective: TBA Tech Talk: TBA WATCH FULL SHOW The post Digital Production Buzz – January 21, 2016 appeared first on Digital Production BuZZ.
January 20, 2016, 05:12 PM
http://www.avidblogs.com/avids-namm-booth-will-roc...
The article Avid’s NAMM Booth Will Rock with Pensado’s Place… Live! by Tony Cariddi appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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