It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 16, 2015, 10:17 AM
http://bobbyowsinski.blogspot.ca/2015/12/11-cool-c...
We could all use a little bit of shopping help when it comes to buying holiday gifts for the people around us in the music and recording business. If you're in a quandary about what to buy, you're in luck as I have a list of recommendations that covers a wide variety of items and price ranges. All of these following products (except for the last one) I use regularly.
December 15, 2015, 05:15 PM
http://designingsound.org/2015/12/news-steve-green...
As sound designers, our jobs usually entail creating a […]
December 15, 2015, 01:17 PM
http://filmmakermagazine.com/96680-20-years-of-col...
Few directors this side of Joseph Mankiewicz are as attentive to the clear, crisp presentation of dialogue as Quentin Tarantino, giving the always important role of production sound mixer even more weight on his sets. Since Jackie Brown in 1997, Tarantino has relied on Academy Award winner (for Titanic) Mark Ulano to capture his production sound. Tarantino’s latest, The Hateful Eight, represents some of Ulano’s finest work to date – which is saying something considering that he has over a ...
December 15, 2015, 10:24 AM
http://logic-pro-expert.com/logic-pro-blog/2015/12...
This week, as part of Soundtoys’ “Give a Little, Get a Little” holiday campaign, pay only what you wish for the Soundtoys Little Radiator plugin, a meticulously modeled emulation of the classic Altec 1566 tube mic preamp from the Motown era.
December 15, 2015, 06:45 AM
http://www.audiomediainternational.com/broadcast/r...
"Any chance you could fix a problem we’ve got with the sound?” It’s a phrase that makes me feel slightly faint and sick inside and normally comes from the mouth of a filmmaker or a student. Or a student filmmaker.
December 15, 2015, 06:45 AM
https://www.youtube.com/watch?v=A-vDlzc696U
In this video James shows us around his LIVE Pro Tools rig featuring Pro Tools 11 running on a Mac Book Pro and using the Audient iD22 audio interface. He shows us the main backing track session for his band "The Talent" and how he can easily manipulate the tracking in real time if needs be.
December 15, 2015, 06:45 AM
https://www.youtube.com/watch?v=KDF4RiDeoIY
A weekly podcast where we discuss all things game audio. From creative ideas to the latest techniques, project experiences to audio secrets. Here is where you'll find in-depth coverage and opinions related to game audio.
December 14, 2015, 06:56 AM
http://www.cbsnews.com/videos/a-star-wars-scoring-...
"This is momentous," says director J.J. Abrams while listening to Academy Award winning composer John Williams' iconic refrain. "As a fan, I can’t even believe I get to be here".
December 9, 2015, 09:12 PM
http://www.prosoundeffects.com/blog/how-andrew-tra...
The Pro Sound Effects How I Work series (inspired by Lifehacker) asks Hybrid Library owners what inspires them and what tools and routines help them get work done from day to day. This interview is How I Work #7 – see link at the bottom of the post for other interviews in the series. Name: Andrew ... The post How Andrew Tracy of One Thousand Birds Works appeared first on Pro Sound Effects.
December 7, 2015, 01:35 PM
http://www.premiumbeat.com/blog/audio-editing-tip-...
Mixing and matching ADR with location audio can be very challenging, but these audio editing tips will help you get much better results every time.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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