It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 14, 2012, 09:05 PM
http://avidassteditor.com/2012/11/14/how-do-i-dele...
Autosequence automatically takes clips and puts them into a sequence at the timecode associated with the clips. Removing the black (filler) from the sequence would move the clips from their correct timecodes. A better solution might be to select all of the clips in the bin and drag them to the timeline window. In this...
#avid#media composer#mc6#autosequenceNovember 14, 2012, 09:04 PM
http://www.karenschmeer.com/ksfef-home/2012/11/14/...
Thanks to all the editors and filmmakers who came out last night to Vol de Nuit bar to say hello to each other and to celebrate Karen! The party was a success. Some photos have been posted here.Please join our mailing list to be sure to hear about our other upcoming events.
#karen schmeer#ksfef#nyc#wrap upNovember 14, 2012, 09:04 PM
http://www.borisfx.com/borisfxnews/2012/11/14/epis...
BCC Videoscope is a powerful tool for ensuring broadcast safe color levels at any stage of your project. In this video tutorial, Kevin P. McAuliffe shows you how to set up BCC Videoscope's waveform monitor and illustrates the filter's Zebra Pattern and Magenta settings for highlighting areas in your footage that are not broadcast safe.
#grading#color#colour#gradeNovember 14, 2012, 09:04 PM
http://www.dvinfo.net/article/post/adobe-cs6-dvi-w...
This Adobe CS6 tutorial by Pete Bauer of Contrail Media shows the round-trip process of taking a video clip through Adobe SpeedGrade that was deliberately shot at the wrong color temperature (i.e., a camera's white balance was set to daylight instead of tungsten), because color temperature is something that Premiere Pro's built in color correctors don't explicitly have, but SpeedGrade does. Rounding out the workshop is a demo of a simple audio noise clean-up with Adobe Audition.
#adobe#cs6#workshop#premiere pro#premiereNovember 14, 2012, 09:04 PM
http://www.digitalproductionbuzz.com/2012/11/digit...
GUESTS: Natasha Deganello Giraudie, Grant Burton, Ben Alpi, Jeff Handy, Drew Little, and Philip Hodgetts
#natasha deganello giraudie#grant burton#ben alpi#jeff handy#drew little#philip hodgettsNovember 14, 2012, 09:04 PM
http://www.digitalproductionbuzz.com/2012/11/black...
HyperDeck software update 3.6 is an update to Blackmagic's solid state disk (SSD) recorder which adds support for Apple ProRes 422 (HQ) into HyperDeck Shuttle 2, plus new closed caption support for all HyperDeck models.
#blackmagic#apple#prores#422#hq#hyperdeckNovember 14, 2012, 09:04 PM
http://feedproxy.google.com/~r/industryhappenings/...
With version 10.0.6 Apple has finally endowed Final Cut Pro X with some of the critical Final Cut Pro 7 features that users missed most. Award-winning filmmaker Michael Wohl will delve into the intricacies of these features. And best of all, they've dramatically improved upon all of them. AGENDA Learning about the new event viewer...
#fcpx#apple#fcpNovember 14, 2012, 08:53 PM
http://news.creativecow.net/story/870209
(London, UK--November 14, 2012) Award-winning post houses Company 3 (CO3) and EFILM joined forces to provide Eon Productions' newest James Bond feature "Skyfall"--the first digitally-shot film in the franchise--with a complete, integrated workflow, ensuring consistency from dailies through to digital intermediate (DI).
#workflow#skyfall#bond#pipelineNovember 14, 2012, 08:52 PM
http://www.tvtechnology.com/article/apple-prores--...
CHIBA, JAPAN – Blackmagic Design has announced the availability of HyperDeck software update 3.6, a new update to its SSD recorder that adds support for Apple ProRes 422 (HQ) into HyperDeck Shuttle 2, plus new closed caption support for all HyperDeck models. At a price of USD345, the HyperDeck Shuttle 2 with the new ProRes compression feature significantly reduces the size of uncompressed HD video files while preserving full frame 10-bit 4:2:2 quality, allowing customers to record up to six...
#fcpx#blackmagic#apple#proresNovember 14, 2012, 08:50 PM
http://www.lockergnome.com/media/2012/11/14/final-...
Final Cut Pro X is a powerful video editing tool used by video makers both amateur and professional alike. We've used Final Cut Pro X (FCP X for short) extensively to edit the daily vlogs and have found it to be a fairly intuitive and feature-rich editing platform.
#fcpx#audio#final cut pro#apple
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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