To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VFX Supervisor Richard McBride on The Revenant

February 19, 2016, 01:32 PM

http://www.studiodaily.com/2016/02/vfx-supervisor-...

Writer-director-producer Alejandro González Iñárritu’s intense survival film The Revenant has been nominated for 12 Oscars. Among those in contention are Leonardo DiCaprio, who has the lead role of Hugh Glass, a fur trader in the 1820s, who is attacked by a bear — a … more » The post VFX Supervisor Richard McBride on The Revenant appeared first on Studio Daily.

The Warrior’s way VFX Breakdown

February 19, 2016, 01:32 PM

http://www.cgmeetup.net/home/the-warriors-way-vfx-...

Watch The Warrior’s way VFX Breakdown by Mofac & Alfred. Director : Sngmoo Lee, VFX Supervisor : Seongho Jang & Technical Director : Youngsu Park.

DEADPOOL: Ryan Tudhope - Co-founder & VFX Supervis

February 19, 2016, 10:18 AM

http://www.artofvfx.com/deadpool-ryan-tudhope-vfx-...

In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.

Now Showing - Cinefex 145

February 19, 2016, 10:18 AM

http://cinefex.com/blog/now-showing-cinefex-145/

Wait! What? That’s not right. It’s only two months since the last Cinefex was out. It can’t be time for a new issue already.

The Oscar-Winning VFX of Double Negative

February 19, 2016, 10:18 AM

https://www.rocketstock.com/blog/double-negative-v...

Double Negative (Dneg) is a full-service VFX house and computer animation studio based out of London. Started in 1998, the company has since gone on to work on major blockbuster franchises like Harry Potter, The Dark Knight, and Marvel.

Combining Forces: Roger Guyett talks about The For

February 19, 2016, 06:31 AM

http://www.3dtotal.com/interview/747-combining-for...

With the original Star Wars trilogy incorporating practical innovations with miniatures and motion-control cameras, and the prequel trilogy pushing the boundaries in the creation of CG characters and digital environments, Roger Guyett (Star Trek) decided to take the best from both worlds when supervising the Oscar-nominated visual effects for Star Wars: Episode VII – The Force Awakens. 2,100 visual effects shots were created by Industrial Light & Magic facilities in San Francisco, London, Vanc...

Cinderella VFX Breakdown

February 18, 2016, 01:35 PM

http://www.cgmeetup.net/home/cinderella-vfx-breakd...

MPC’s team lead by VFX Supervisor Patrick Ledda worked closely with Director Kenneth Branagh and Production VFX Supervisor Charley Henley, delivering more than 500 shots for the movie. Work ranged from creating creatures including a family of mice, lizards, geese and butterflies to human digi doubles, complex magical transformations and extensive environment work.

VFX Supervisor Andrew Whitehurst on Ex Machina

February 17, 2016, 01:20 PM

http://www.studiodaily.com/2016/02/vfx-supervisor-...

First-time director Alex Garland’s quiet, low-budget sci-fi drama Ex Machina received Oscar nominations for visual effects and Garland’s screenplay, five BAFTA nominations (actress, screenplay, visual effects, outstanding debut by a British writer, director or producer, best British film), and numerous film critics … more » The post VFX Supervisor Andrew Whitehurst on Ex Machina appeared first on Studio Daily.

DEADPOOL: Alex Wang - VFX Supervisor

February 16, 2016, 01:29 PM

http://www.artofvfx.com/deadpool-alex-wang-vfx-sup...

Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.

How the Coen brothers used new-school effects

February 16, 2016, 10:12 AM

http://www.theverge.com/2016/2/8/10926066/hail-cae...

Joel and Ethan Coen have never bothered pinning themselves to a single genre, nor have they been afraid of wearing their love for Hollywood itself on their collective sleeve — but their latest film Hail, Caesar! takes things to an entirely different level. A film about Old Hollywood, set inside the fictional Capitol Pictures in the 1950s, it doesn’t just take pains to create the look and feel of happy-go-lucky musicals, aw-shucks westerns, and Roman epics; Hail, Caesar! begins adopting those...

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