It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 16, 2015, 05:13 PM
http://postperspective.com/quick-chat-co3-senior-c...
By Randi Altman Senior colorist Greg Fisher, who works out of Company 3’s London studio, teamed up with director Sam Mendes and director of photography Hoyte Van Hoytema on the latest James Bond film, Spectre. In typical Bond fashion this film is a great-looking roller coaster ride of action and sights. We recently had the opportunity to throw some questions at Fisher about his work on the film, which stars Daniel Craig as Bond. Can you talk about working with Sam Mendes? Had you worke...
December 16, 2015, 05:13 PM
http://www.videoguys.com/blog/news-and-sales/compa...
The Nashville Film Guild recently held a debate comparing the most popular non-linear editing software. See what they had to say in the video below. The Great NLE Debate and DaVinci Resolve Provideo Coalition blog by Brian Hallett Which Non-Linear Editing system equals the best was put to a debate by the Nashville Film Guild. Read More The post Comparing Non-Linear Editing Software appeared first on Videoguys Blog.
December 16, 2015, 01:10 PM
http://www.premiumbeat.com/blog/how-to-recreate-st...
Recreate the groundbreaking Star Wars practical effects with this fun collection of tools and tutorials.
December 16, 2015, 01:10 PM
http://www.btlnews.com/awards/ace-to-honor-nancy-m...
Prolific filmmaker Nancy Meyers has been selected by the board of directors of American Cinema Editors (ACE) to be honored with the organization's ACE Golden Eddie Filmmaker of the Year award. The award will be presented to Meyers by long-time collaborator Steve Martin at the 66th Annual ACE Eddie Awards ceremony on Jan. 29 in the International Ballroom of the Beverly Hilton Hotel. The post ACE to Honor Nancy Meyers with Golden Eddie Filmmaker of the Year Award appeared first on Below the ...
December 16, 2015, 01:10 PM
http://tracking.feedpress.it/link/9766/2186834
Find just the right look for your project with the new "Big Three" Video Filters Collections. Filters 3 Spectra, Filters 3 Chroma and Filters 3 Mythos offer 7 effects in each with more than 70 presets to help you quickly get the look you need. Let's take a look at what each Filters volume has to offer...
December 16, 2015, 01:09 PM
http://lesterbanks.com/2015/12/pouring-viscous-liq...
Dusan Marjanovic walks through working with creating a pouring effect with Viscous liquids in RealFlow. The Post Pouring Viscous Liquids With RealFlow originally appeared and published on %%BLOGLINK%,by lesterbanks
December 16, 2015, 01:09 PM
https://www.productionhub.com/blog/post/the-changi...
Color is a simple concept for everyone to grasp, even if they don’t understand color engineering or science. Compared to other technical fields—for example, computer security—you can talk about color with lots of people, because everyone can confidently say, ‘that’s red’ or, ‘that’s reddish-orange,’ and can answer questions like ‘What’s your favorite color?’ People are willing to discuss color and color associations even when they don’t know anything technical.
December 16, 2015, 01:09 PM
http://alex4d.com/notes/item/final-cut-pro-x-rate-...
When working with video clips that have frame rates that are close to being a multiple of the timeline frame rate, but not quite, Final Cut Pro X sometimes speeds them up or slows them down. When this happens, you will be able to see a section in the inspector showing that its frame rate has been conformed: This shows that a clip that normally runs at 25 frames a second will be slowed down so that it plays at 23.976 frames per second. It's playback speed on the timeline will be 95.904%....
December 16, 2015, 01:09 PM
http://www.broadcastbeat.com/sound-devices-788t-hi...
BERLIN, GERMANY, DECEMBER 16, 2015 — For the past 11 years, Production Sound Mixer André Zacher has captured vibrant audio for more than 50 documentary and feature films worldwide. From the scorching heat of Africa and the sub-freezing temperatures of Scandinavia, to the remote mountains of the Himalayas, Zacher never leaves home without his trusted ...
December 16, 2015, 01:09 PM
http://www.cgchannel.com/2015/12/red-giant-release...
Red Giant has released Universe 1.6, the latest update to its online library of effects and transitions for common editing and compositing packages, adding six new tools for Premium users.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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