It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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http://www.blogtalkradio.com/moviegeeksunited/2015...
Composer Daniel Pemberton (The Counselor, The Man from U.N.C.L.E.) discusses his work on the new film Steve Jobs.
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Skywalker Sound’s Director of Sound Design Randy Thom discusses with Dolby Institute’s Glenn Kiser how writers and directors can use sound as a tool to tell their stories, the importance of APOCALYPSE NOW to modern sound design, his work with Robert Zemeckis to maroon Tom Hanks on an island in CAST AWAY with no music or wildlife sounds, and what’s wrong with the current state of sound for animated films.
September 1, 2015, 06:33 PM
https://soundcloud.com/tonebenders-podcast/038-ton...
In this Episode Timothy talks with Rich Van Dyke, production sound mixer and master raconteur. Rich's credits include American Beauty, 3;10 to Yuma, Crash, Moonlighting and countless others. He has great stories of the films he has worked on, how he got started and the gear he uses.
September 1, 2015, 04:40 AM
http://soundworkscollection.com/news/conversations...
Game soundtracks have come a long way since their earliest 8-bit days. In this episode of “Conversations with Sound Artists,” Rob Krekel and Phillip Kovats of Naughty Dog Studios talk about the challenges of building player-controlled vehicles and physics-driven sounds for their upcoming game release UNCHARTED 4...
August 29, 2015, 01:04 PM
http://blog.dolby.com/2015/08/podcast-randy-thom-o...
Randy Thom is one of the most acclaimed sound designers working in movies. So his take on who creates cinema’s best sound scenes may surprise you.
August 27, 2015, 06:36 AM
http://designingsound.org/2015/08/news-dolby-insti...
We as a community are lucky to have a number of amazing […]
August 25, 2015, 05:10 AM
http://soundworkscollection.com/news/conversations...
Skywalker Sound’s Director of Sound Design Randy Thom discusses with Dolby Institute’s Glenn Kiser how writers and directors can use sound as a tool to tell their stories, the importance of APOCALYPSE NOW to modern sound design, his work with Robert Zemeckis to maroon Tom Hanks on an island in CAST AWAY with no music or wildlife sounds, and what’s wrong with the current state of sound for animated films.
August 25, 2015, 05:10 AM
http://bobbyowsinski.blogspot.ca/2015/08/room-tuni...
This week I'm pleased to have on my podcast the go-to guy that studios big and small use to fix the sound of their rooms - Bob Hodas.
August 14, 2015, 05:51 AM
http://soundworkscollection.com/news/soundworks-co...
This week we talk with Composer Bear McCreary about his work on the first season of the Starz show Outlander, the epic new series from Ronald D. Moore based on Diana Gabaldon’s epic novels.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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