To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Premiere Pro CC 101 Part 14: Timeline Organization

November 17, 2015, 05:08 PM

http://news.doddleme.com/blogs/post-production/pre...

This lesson in Adobe Premiere Pro CC is going to be a little different: We’re going to talk about organization. Now, I’m not talking about Project/Bin organization, I’m talking about timeline organization. Of all places to stay organized, this is where you really need to make sure you have your ducks in a row.

What's New in Nuke 10

November 17, 2015, 05:08 PM

http://www.cgmeetup.net/home/whats-new-in-nuke-10/

The NUKE tools you use every day are about to get a whole lot better. Coming in early 2016, NUKE 10 focuses on enhancing performance, increasing stability, blitzing bugs and delivering new functionality in the areas that matter most to artists: paint, rendering, playback, export and more.

Murch on Editing, Cinematography and the Change

November 17, 2015, 05:08 PM

http://variety.com/2015/film/global/walter-murch-o...

Walter Murch is extraordinary even within his own field, four times Oscar-nominated for film editing, three times nominated for sound mixing, achieving a landmark double when he won both for his work on 1997 movie “The English Patient.” This week, he attends the Camerimage film festival, which is devoted to the art of cinematography, to receive the Special Award to an Editor with Unique Visual Sensitivity.

Great Tutorials on Color Matching with SpeedGrade

November 17, 2015, 01:32 PM

http://www.premiumbeat.com/blog/great-tutorials-on...

Working with two completely different cameras? Here are some tips for color matching your footage using Adobe SpeedGrade.

Review: Wacom Cintiq Companion 2

November 17, 2015, 01:32 PM

http://postperspective.com/review-wacom-cintiq-com...

A video editor puts this tablet to the test By Brady Betzel If you’ve ever used a Wacom Intuos tablet or Cintiq, then you know how efficient they can make your workflow, regardless of your job title. I’m a video editor, and after using a Wacom Intuos 5 I immediately noticed less wrist pain when compared to using a mouse. Wacom makes very high-quality products that do not disappoint. The Wacom Cintiq Companion 2 is a tablet with the power of a laptop, coupled with the precision of com...

After Effects Hidden Gems Weekly: Layer Styles

November 17, 2015, 01:32 PM

http://www.provideocoalition.com/after-effects-hid...

We use drop shadows all the time in motion graphic design, along with the occasional bevel or glow. The standard AE Effects to do this are pretty basic. What if we told you there were a far more versatile shadow, glow, and bevel available, for free, already inside After Effects? 

Major first upgrade for the Blackmagic Video Assis

November 17, 2015, 01:32 PM

http://www.redsharknews.com/production/item/3045-m...

New software for Blackmagic Video Assist adds focus peaking, Zebra and more. Video AssistBlackmagic Video AssistPro ResProResPro Res RecorderProRes recorderEVFMonitorField MonitorHDMI RecorderSDI recorder

KYOSHIN Unveils Mistika-Graded HDR-4K Content at I

November 17, 2015, 01:32 PM

http://www.sgo.es/2015/11/kyoshin-unveils-mistika-...

Mistika’s Ground-Breaking HDR Technology is in the Japanese Spotlight. SGO’s Japanese Reseller Partner KYOSHIN Communications showcases the performance-leading Mistika colour-finishing post production system again at this year’s InterBEE from 18 – 20 November in Tokyo. On KYOSHIN’s Booth (4201, Hall 4), two state-of-the-art Mistika systems will be on display to demonstrate stunning HDR 4K 60P content on Canon and SONY ... Read More

7 Ways to Make Your Own Luck in the Film Industry

November 17, 2015, 01:31 PM

http://endcrawl.com/blog/7-ways-make-your-own-luck...

First, consider a different line of work. 7 un-romantic ways to achieve staying power in the film industry.

Syncing A/V in Resolve

November 17, 2015, 01:31 PM

http://www.4kshooters.net/2015/11/17/syncing-audio...

I can still remember the countless hours I had to spend on syncing all the video and audio files of my debut feature film in post some years ago. The Plural Eyes plug-in still wasn’t an option at the time and the only way I was able to complete the process was by utilizing the good old and well trusted clapperboard on set and then syncing and matching up all project files manually in post-production.

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