To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Growing Vines in Motion

September 12, 2012, 10:05 AM

http://provideocoalition.com/index.php/mspencer/st...

Based on a user request, this week I show Steve Martin from Ripple Training the secrets to creating animated "growing" vines in Motion. We look at how to start with animated content that ships with Motion, and how to create your own growing vines from scratch.

Working with Raw Video Files in CS6

September 12, 2012, 10:04 AM

http://feedproxy.google.com/~r/richardharringtonbl...

Adobe Premiere CS 6 makes it easier than ever to work with RAW files. Rich Harrington walks you through some of the advantages of Premiere's approach to RAW support, including ARRIRAW and such RED formats as 5K.

Digital Production Buzz - Sept. 13, 2012

September 12, 2012, 10:04 AM

http://www.digitalproductionbuzz.com/2012/09/digit...

Real-world Lessons from Distribution Make Money on Social Marketing New Camera From Blackmagic Design IATSE Has a New Contract GUESTS: John Putch, Michael Cowan, Dan May, and Jonathan Handel...

FINAL CUT PRO X: FASTER EDITING webinar

September 12, 2012, 10:04 AM

http://feedproxy.google.com/~r/industryhappenings/...

The reason anyone buys Final Cut Pro X is to edit video. In this session, watch as Larry Jordan returns to the basics of video editing and shows you how to edit faster, more accurately, and with higher quality than you may be doing now. From marking clips to editing to trimming, this session covers...

VFX for Indie Film with Seth Worley

September 12, 2012, 10:03 AM

http://videoeditors.me/red-giant-tv-live-episode-6...

Harry Frank and Aharon Rabinowitz are joined by Plot Device Director Seth Worley to discuss Visual Effects for Indie Film. Harry follows it up with a tutorial on using Trapcode Particular to create gun muzzle flashes.

HEVC H.265 compression equipment

September 12, 2012, 10:02 AM

http://broadcastengineering.com/encoders/allegro-u...

At IBC Allegro DVT showed what it called the first HEVC H.265 encoder and transcoder for broadcasters. The AL1200 HD-SDI encoder and AL2200 IP Transcoder target high-end operators and broadcasters willing to adopt the next-generation compression protocol early.

Tile a4d effect

September 12, 2012, 10:01 AM

http://alex4d.wordpress.com/2012/09/12/tile-a4d-fc...

This Final Cut Pro X tile effect provides many more options than the built-in version. You can use it to offset the centre of a clip using an on-screen control:

Working with Power Masks in Colorista II

September 12, 2012, 09:58 AM

http://videoeditors.me/power-masks-colorista-red-g...

In this tutorial, Stu Maschwitz walks you through Colorista II’s Power Masks, with a focus on interaction between the masks as well as using motion tracking (in AE) to get convincing and consistent color correction.

Editing Clip Audio from Premiere Pro in Audition

September 11, 2012, 10:10 PM

http://www.premiumbeat.com/blog/audio-premiere-pro...

In this tutorial we'll show you how to send your audio files from Adobe Premiere Pro to Adobe Audition for fine tuned noise reduction. Get better sounding clips using this handy roundtripping workflow.

Register Now for a webinar on media management

September 11, 2012, 10:10 PM

http://provideocoalition.com/index.php/createasphe...

As a media professional, you're certainly aware of how complex the world of media production and distribution has become. With the advent of multiple platforms, sources and distribution channels, that complexity has only intensified. Best-of-breed media processes demand rigorous support from ever-more intelligent infrastructures that can carry policy-prescribed operations based not only on an asset’s metadata but the intrinsic characteristics of the asset itself.

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