To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Vinyl (2016)

June 8, 2016, 04:28 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I'd offer you a drink, but you're an asshole.” — Richie Finestra ...

Getting Started With EditStock Projects

June 8, 2016, 04:27 AM

http://editstock.com/blogs/all/117359109-getting-s...

Getting Started With an EditStock Project   Set Your Personal Development Goal   If there’s one thing I’ve learned from my many years in the film industry it’s that mastering any skill takes time. The best editor’s, colorists, and visual effects artists have all worked obsessively at their craft for years. There are no shortcuts to gaining this experience. The road to mastery of any skill begins with a first step; practicing.      If you're reading this article you'v...

Getting Started With EditStock Footage

June 8, 2016, 04:27 AM

http://editstock.com/blogs/all/117359109-getting-s...

Getting Started With an EditStock Project   GENERALLY WHAT YOU ARE DOING   If there’s one thing I’ve learned from my many years in the film industry it’s that mastering any skill takes time. The best editor’s, colorists, and visual effects artists have all worked obsessively at their craft for years. There are no shortcuts to gaining this experience.  That said, the road to mastery of any skill begins with a first step. If you're reading this article you've probably already...

Review: Divergent Media’s EditReady 1.4 and Scop

June 8, 2016, 04:27 AM

http://postperspective.com/review-divergent-medias...

Affordable transcoding and monitoring solutions By Brady Betzel It’s been almost two years since I first reviewed Divergent Media’s video transcoder EditReady version 1.0.2… and I was thoroughly impressed with the speed and ease of use. The only thing that left me wanting more was the fact it was a Mac-only product. Continue reading →June 8, 2016

The Tech Behind Bebop and Rocksteady’s Return

June 8, 2016, 04:27 AM

http://www.cartoonbrew.com/feature-film/tech-behin...

But two of the brashest—and possibly funniest—characters in the Turtles franchise, Bebop and Rocksteady, were brought to life with more of a combination of vfx techniques: on-set motion capture and video reference, additional mocap at ILM, and keyframe animation. Cartoon Brew finds out more from Out of the Shadows visual effects supervisor Pablo Helman.

Learn How to Set Up Unison Technology with your Ap

June 8, 2016, 04:27 AM

http://www.uaudio.com/blog/unison-quick-tip/

Unison™ technology is an audio processing breakthrough that starts right at the source — the input stage — allowing Apollo’s mic preamps to sound and behave like the world’s most sought-after tube and solid-state mic preamps and guitar amps. By capturing the all-important impedance, gain stage “sweet spots,” and component-level circuit behaviors, Unison gives you the tone, touch, and feel of legendary hardware from Neve®, API®, Fender®, and more.

Bottleship VFX Taps Thinkbox Software for Digital

June 8, 2016, 04:27 AM

http://www.awn.com/news/bottleship-vfx-taps-thinkb...

Digital destruction is Bottleship VFX’s sweet spot. From fiery explosions to churning waterfalls, the Bulgarian studio excels at crafting data-heavy VFX, including particle work and fluid simulations -- feats accomplished in part through Thinkbox Software tools.

Xsend Motion - Send Final Cut Pro X timelines to A

June 7, 2016, 04:08 PM

http://alex4d.com/notes/item/xsend-motion-from-fcp...

For those who used Final Cut Pro Studio before 2011, a very popular feature request for Final Cut Pro X is the ability to send clips to Apple Motion. Motion can be used for the kind of more advanced motion graphics tasks. Post production file format translation supremo Wes Plate has made Automatic Duck Xsend Motion. Iain Anderson’s review at Mac Pro Video: Despite the excellent integration between FCP X and Motion, this critical piece has always been missing and often been requested. F...

Creating Mesmerizing Motion on a Trapcode TAO Path

June 7, 2016, 04:08 PM

http://lesterbanks.com/2016/06/creating-motion-tra...

Freelance Motion Designer, Dominic Pons shows how you can create mesmerizing, undulating and looping motion on a trapcodeTAO path. The Post Creating Mesmerizing Motion on a Trapcode TAO Path originally appeared and published on %%BLOGLINK%,by lesterbanks

Rant: Why I hate Avid Media Composer

June 7, 2016, 04:07 PM

https://www.youtube.com/watch?v=7UrcnR2_nKY

a sorta long video of me comparing Avid Media Composer to Adobe Premiere Pro, and its not even a contest. avid is clearly not even in the running. such a stupid stupid stupid application. stupid.

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