It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 13, 2012, 08:44 AM
http://provideocoalition.com/index.php/ssimmons/st...
January 13, 2012, 08:43 AM
http://magazine.creativecow.net/article/real-world...
It's a very post-intensive process. Our shows come alive in the editing room, so we're very sensitive to any changes in the editing process. We're constantly looking for ways to improve the process -- and wary of any, if this is a word, deprovements.
January 13, 2012, 08:36 AM
http://provideocoalition.com/index.php/news/story/...
January 13, 2012, 08:35 AM
http://provideocoalition.com/index.php/cmg_keyfram...
January 13, 2012, 08:35 AM
http://avidassteditor.com/2012/01/12/book-news-fre...
The book has been out for about 2 months and I've still been making changes. (Which is why the book is currently (and temporarily) unavailable for purchase) I recently added an XDCAM section to Chapter 3: File-Based Media and for those of you who have already purchased the book, it is available for a free...
January 13, 2012, 08:35 AM
http://provideocoalition.com/index.php/createasphe...
January 12, 2012, 04:11 PM
http://roosterpost.wordpress.com/2012/01/12/new-co...
We weren't just cutting a TV commercial for a handful of bank clients. We were cutting a spot for an entire city. Ad agency Bozell, based out of Omaha, Nebraska had envisioned a campaign that didn't simply sell a chequing...
January 12, 2012, 04:11 PM
http://feedproxy.google.com/~r/FinalCutWhiz/~3/xYX...
Editing blue or green screen in Final Cut Pro X is both easy and simple to do, but it is also a little different compared to Final Cut Pro 7. Before We Begin Editing One thing you need to keep in mind before we even import our footage is the way you set up your...
January 12, 2012, 04:06 PM
http://www.pcworld.com/article/247239/sony_vegas_p...
If there's one thing that stifles creative energy with deadly effectiveness, it's having to wait. That's why the new GPU-accelerated features in Sony's Vegas Pro 11 video-editing application (600USD as of January 3, 2012) are more welcome than pretty much anything else Sony could have done for this application.
January 12, 2012, 03:54 PM
http://www.redgiantsoftware.com/blog/2012/01/12/a-...
Last year we spoke to Jack Tunnicliffe at Java Post in Regina, Western Canada and he gave us some insights into producing the Canadian TV series InSecurity. The show's FX-heavy visuals rely heavily on a couple of Red Giant stalwarts, Magic Bullet Colorista II and Red Giant Warp, but Jack’s go-to tool for greenscreen finishing and fine tuning is Key Correct.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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