It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 11, 2016, 05:39 AM
http://www.studiodaily.com/2016/01/ilm-vfx-supervi...
Roger Guyett should have been stressed and exhausted, but he showed no signs of it when we met at Industrial Light & Magic in San Francisco shortly before Star Wars: The Force Awakens was released. As we walked down the hall toward the dining room, one person after another called out to him and, with a kind “excuse me just a minute,” he was unfailingly lovely to each.
January 11, 2016, 05:38 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Daniel Lay, also known as VFX Soldier, stopped by the CG Garage to talk to his old friends, Christopher Nichols and Stephen Parker, about what is going in his life. We talked about his career, what happened when he was VFX Soldier, why he left the industry, and what he is doing now.
January 11, 2016, 05:38 AM
http://www.artofvfx.com/bafta-2016-vfx-nominees/?u...
Here are the nominees for Special Visual Effects for the BAFTA 2016...
January 9, 2016, 09:29 AM
http://www.btlnews.com/awards/contender-chris-town...
Munich-based Trixter Film was one of the many VFX vendors and shops, assembled – like the Avengers themselves – by overall VFX supervisor Chris Townsend for Avengers: Age of Ultron. The post Contender – VFX Supervisor Chris Townsend, Avengers: Age of Ultron appeared first on Below the Line.
January 9, 2016, 09:29 AM
http://lesterbanks.com/2016/01/using-mocha-for-per...
Product Manager Martin Brennan shows how you can use Mocha to replace eyes so you can have the perfect shot. The Post Using Mocha for Performance Replacement originally appeared and published on %%BLOGLINK%,by lesterbanks
January 9, 2016, 09:28 AM
http://www.cgmeetup.net/home/cinema-4d-vs-houdini/
Learn the main differences between Cinema 4D and Houdini.
January 8, 2016, 03:55 PM
http://www.studiodaily.com/2016/01/ilm-vfx-supervi...
Roger Guyett should have been stressed and exhausted, but he showed no signs of it when we met at Industrial Light & Magic in San Francisco shortly before Star Wars: The Force Awakens was released. As we walked down the hall … more » The post ILM VFX Supervisor Roger Guyett on Star Wars: The Force Awakens appeared first on Studio Daily.
January 8, 2016, 10:39 AM
http://www.premiumbeat.com/blog/use-the-puppet-too...
Add subtle animation and bring your designs to life with the Puppet tool in After Effects. Here's everything you need to know.
January 8, 2016, 10:38 AM
http://www.btlnews.com/awards/contender-vfx-superv...
While much has been said about the stunning practical special effects of George Miller’s post-apocalyptic action film Mad Max: Fury Road, shot largely in South Africa and the Namibian desert, for visual effects supervisor Andrew Jackson, one of the best compliments is when people don’t even realize that what they are watching is, in fact, computer generated imagery. The post Contender – VFX Supervisor Andrew Jackson, Mad Max appeared first on Below the Line.
January 8, 2016, 10:34 AM
http://www.digitalartsonline.co.uk/news/motion-gra...
The BAFTA nominations have been announced. From big names such as Star Wars: The Force Awakens and Mad Max: Fury Road to the less well-known entries in the British Short Animation award, this year's BAFTAs will host a stiff competition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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