To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Spectre : Mark Curtis, superviseur VFX chez MPC

December 7, 2015, 10:23 AM

http://www.3dvf.com/actualite-15297-spectre-mark-c...

To read on The Art of VFX, an interview with Mark Curtis, VFX supervisor at MPC. He returns to the work of the studio for the new James Bond, Spectre.

Black Sails Season 2 Vfx Breakdown

December 7, 2015, 10:22 AM

http://www.cgmeetup.net/home/black-sails-season-2-...

Aladino Debert – Here’s a selection of the work we did for Season 2 of Starz Network’s “Black Sails”. We had the pleasure -and challenge- of working on 4 episodes, including the awesome season finale. Incredibly ambitious work for a TV show, although in their own words “These are one-hour movies”. Definitely great production value and I’m very happy to have been a part of it and to collaborate with the show’s VFX Supervisor Erik Henry.

RealFlow 101 Introduction to RealFlow

December 7, 2015, 10:22 AM

http://www.cgmeetup.net/home/realflow-101-introduc...

This webinar is for anyone who is interested in accessible Dynamic effects for VFX and want to know what RealFlow is about and what it can do.

THE 33: VFX Breakdown by Spin VFX

December 7, 2015, 06:18 AM

http://www.artofvfx.com/the-33-vfx-breakdown-spin-...

Spin VFX have published a dedicated page and VFX Breakdown about their invisible work on THE 33 (click on the picture below to watch it)...

Computer Graphics Meet Up

December 6, 2015, 06:16 AM

http://vfxserbia.com/2015/12/06/11782/

Prva mini konferencija kompjuterske grafike pod nazivom ” Computer Graphics Meet Up” održaće se 12. decembra 2015. godine u prostorijama Crater VFX Training Centra, pod sloganom “Knowledge & Skills”. Cilj nam je da na jednom mestu okupimo profesionalce iz različitih oblasti primene kompjuterske grafike, kao i one koji to žele da postanu, i na taj način razmenimo znanja i iskustva i doprinesemo razvoju fascinantne umetnosti kompjuterski generisanih slika (CGI) na našim prostorima.

SIGGRAPH 2016 Now Accepting Submissions

December 5, 2015, 08:29 AM

http://www.animationmagazine.net/events/siggraph-2...

SIGGRAPH 2016 has opened its call for submissions to invite scholars, innovators, and creative practitioners in various existing and/or emerging communities within computer graphics and interactive techniques to showcase their expertise and unique technical and creative innovations this summer.

SPECTRE: Mark Curtis - VFX Supervisor - MPC

December 4, 2015, 10:23 AM

http://www.artofvfx.com/spectre-mark-curtis-vfx-su...

Mark Curtis started his career in the visual effects in 2001 at MPC. He worked on many projects and then joined MPC Vancouver in 2009. He has worked on films like WATCHMEN, LIFE OF PI or GUARDIANS OF THE GALAXY. As VFX Supervisor, he took care of the effects of films like FIFTY SHADES OF GREY and FURIOUS 7.

UK Union BECTU Organizes VFX Artists

December 3, 2015, 07:45 PM

http://www.hollywoodreporter.com/behind-screen/uk-...

The global visual-effects community has been asking for better working conditions for years — even staging rallies at the 2013 and 2014 Academy Awards to raise awareness of the issue, but not resulting in an industry change.

ILM veteran Renita Taylor joins Chicago's Rethink

December 3, 2015, 02:44 PM

http://www.postmagazine.com/Press-Center/Daily-New...

CHICAGO — Rethink Studios (www.rethinkstudios.tv) has appointed Renita Taylor post producer. She was a former creature technical director at Industrial Light & Magic. Taylor will work with company founder/director of CGI, Brian Bullock, to lead the company to new heights in 2016.

Dashwood And Sphericam Team Up to Offer Spherical

December 3, 2015, 02:44 PM

http://www.dvinfo.net/news/dashwood-and-sphericam-...

Save $1200 USD when pre-ordering the 360 degree professional camera Sphericam 2 and Dashwood 360VR Toolbox, the full-featured plugin suite for Premiere Pro, After Effects, and Final Cut Pro on the Mac. Toronto, Canada – December 3, 2015 – Dashwood Cinema Solutions, developer of award-winning Mac® OS X apps and post-production plugins, and Sphericam, maker [...]

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