It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 17, 2012, 09:03 PM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis shows how to use the filmic blend technique that helps to make video look more like film thus making your final production look much richer. This technique is a must for wedding videotographers.
July 17, 2012, 09:01 PM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis shows how to use the 'Change to Color' effect while also showing the importance of masking out the area of the footage that you wish to effect.
July 17, 2012, 09:00 PM
http://www.creativeplanetnetwork.com/the_wire/2012...
In a bid to expand its digital color services for commercials, music videos, and long-form content, Pleasant Post has partnered with freelance colorist Tristan Kneschke. After collaborating exclusively with Kneschke for years on a multitude of projects – including recent campaigns for Royal Caribbean, Lenovo and GM – Pleasant Post is bringing him in on a more formal basis to offer its clients a cost-effective color correction solution to complement its full menu of postproduction services.
July 17, 2012, 08:59 PM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis shows how to use the 'Leave Color' effect as well as a simple compositing technique to be able to focus on just the item needing to be shown without having to worry about similar colors in other parts of your shot.
July 17, 2012, 03:21 PM
http://www.premiumbeat.com/blog/time-remapping-pre...
Learn how to use Adobe Premiere Pro's time remapping feature to alter the speed of you footage. From slo-mo to hyper speed, time remapping can add visual interest to your video projects!
July 17, 2012, 03:21 PM
http://jonnyelwyn.co.uk/film-and-video-editing/the...
Check out these beautifully put together videos by Joe LaMattina, featuring Angus Wall Kirk Baxter talking about editing The Girl with The Dragon Tattoo, and Ryan Case talking about editing Modern Family...
July 17, 2012, 03:19 PM
http://provideocoalition.com/index.php/mspencer/st...
On this week's MacBreak Studio, I talk to Steve Martin of Ripple Training about moving from shapes to masks and vice-versa in Motion 5.
July 17, 2012, 03:19 PM
http://www.noiseindustries.com/blog/announcements/...
Create static titles, title rolls and title crawls with ease. Now available for Final Cut Pro X. Read More
July 17, 2012, 03:14 PM
http://www.videoguys.com/Blog/E/Adobe+Premiere+Pro...
When Apple released Final Cut Pro X last year, many veterans were up in arms. FCPX wasn't just an update to the program they'd come to rely on--it was a complete departure from what they were used to. You either loved it or hated it, and Adobe was only too pleased to welcome new clients to its platform. With Premiere Pro CS6, Adobe is working very hard to make sure its clientele stays put.
July 17, 2012, 03:14 PM
http://feedproxy.google.com/~r/industryhappenings/...
Adobe Media Encoder (AME) is at the core of much of Adobe Production Premium. Prelude uses it for transcodes. Encore uses it to create DVDs, Blu-ray Discs, and Flash movies. Premiere and After Effects use it for outputting. So, this session shows you what you need to know to make your final, compressed video and...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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