It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 7, 2012, 04:16 PM
http://ryansalazar.net/index.php/2012/07/boris-con...
It boasts of a mind-blowing archive of more than 200 plug-in VFX filters (in 16 categories); an extraordinary video noise reduction tool; an eye-popping, spline-based warp filter; and a plethora of still- and video-morph technology. Meet the Boris Continuum Complete (BCC)... or what their clients call "the Swiss Army Knife of Visual Effects." Boris...
July 7, 2012, 04:12 PM
http://vanhurkman.com/wordpress/?p=2005
Steve Hullfish was nice enough to send along the new second edition of his "The Art and Technique of Digital Color Correction" for me to peruse, which was most generous. I'd bought his first edition on my own dime and enjoyed it thoroughly, and we’re all lucky that his publisher (Focal Press) has seen fit to give him the opportunity to update this book, and add even more breadth and depth to the information within.
July 7, 2012, 04:09 PM
http://www.larryjordan.biz/app_bin/wordpress/archi...
Loudness is more than a level on a meter, it is "primarily a psychological correlation of the physical intensity of the audio signal." (Tektronix) Loudness is more than dynamic range. “Dynamic range” is the distance between the loudest and softest portion of an audio clip. "Loudness" is how loud a sound appears to the ear.
July 7, 2012, 11:25 AM
http://www.cceditors.ca/2012/07/06/august-cce-even...
Upcoming events in Toronto and Vancouver (all dates yet to be announced, but beginning in August): Pub Night Workshops Animation Editing Panel discussion Annual General Meeting Screening/ Q/A
July 7, 2012, 11:25 AM
http://twainthestoryteller.wordpress.com/2012/07/0...
Norman Hollyn has been described as a "media expert," a reference to his experience in a wide variety of media types - in both the old and new media worlds. He is the co-producer and co-host of the videocast...
July 7, 2012, 11:23 AM
http://www.postmagazine.com/Post-Blog/2012/July/Di...
Yes, it's early July, but I am going to talk a bit about April's NAB and a discussion that evolved from the show. I love the NAB conference; always have. I wound my way into media archiving and preservation after starting off as an audio engineer.
July 7, 2012, 11:21 AM
http://www.videomaker.com/community/videonews/2012...
Have you decided to start editing video, but don't know where to begin? The Videomaker Basic Editing Webinar is aimed at answering your hardware and software questions, as well as providing information on how to use pacing, transitions, motivated edits, and more in order to start editing great videos.
July 7, 2012, 11:20 AM
http://www.studiodaily.com/2012/07/create-the-expe...
The folks at Mettle recently posted this nice tutorial from Nancy Eperjesy, president of Mettle's Software and Creative Services divisions, on how to use Mettle's ShapeShifter AE plug-in to create the animated 3D skull and knife logo appearing at the end of the new The Expendables 2 trailer.
July 7, 2012, 11:18 AM
http://www.digitalproductionbuzz.com/2012/07/06/j2...
Hamburg Pro Media enhances the MXF4mac product line with a new JPEG2000 high-performance extension.
July 6, 2012, 05:12 PM
http://jonnyelwyn.co.uk/film-and-video-editing/wha...
A run down of the best headphones for film editors when comfort, clarity and quality are all essential!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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