It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 5, 2015, 08:29 AM
http://news.doddleme.com/blogs/post-production/dod...
If you’re a regular user of Adobe Premiere Elements and haven’t upgraded to version 14, there’s really no rush. While it does have some nifty new features that include 4K support, guided edits, animated titles, and a redesigned export panel, it’s really more of a housekeeping update than anything else.
December 5, 2015, 08:29 AM
https://news.creativecow.net/story/880307
(Albuquerque, New Mexico--December 4, 2015) Cinnafilm is proud to announce the recent hire of Aaron Estrada as VP of Applied Technologies. Aaron brings a unique blend of expertise in IT virtualization and post production workflow design, both essential components for Cinnafilm’s emerging cloud strategies.
December 4, 2015, 12:53 PM
http://www.aotg.com/index.php?page=kinetic_review
Along with the release of Titler Pro 4, NewBlueFX also made available a great deal of additional products that allow editors to expand their titling toolbox. The Kinetic Motion Pack is one of them, and can certainly provide a substantial enhancement to one’s results. Equipped with 8 animations, 16 designed templates and over 100 fully customizable presets, all of which are very professional and objectively constructed.
December 4, 2015, 11:14 AM
http://www.premierebro.com/weekinpr/week-in-premie...
Premiere Pro Week in Review: Premiere Pro CC 2015.1 Release • Premiere Pro Feature Film Workflows • Google Doc Extension For Premiere Pro • TONS Of Premiere Pro Tips And Tutorials
#premiere pro#tutorials#news#tips#reviewsDecember 4, 2015, 05:42 AM
http://www.btlnews.com/crafts/visual-fx/lipsync-po...
Lipsync Post recently provided over 145 shots of visual effects for Peter and Wendy, a TV film based on J.M. Barrie’s Peter Pan, directed by Diarmuid Lawrence and written by Adrian Hodges. Made in connection with Great Ormond Street Hospital, the TV movie is scheduled for broadcast on ITV over Christmas. The post Lipsync Post Provided VFX Magic for Peter & Wendy appeared first on Below the Line.
December 4, 2015, 05:42 AM
http://www.redsharknews.com/production/item/3091-r...
Simon Wyndham spends time with the new $495 Blackmagic Video Assist and finds a unit that will appeal to people who are on a budget but still require a high quality, versatile monitor with good recording capabilities. BlackmagicBlackmagic Video AssistMonitorsrecordersoncamera monitoroncamera recorder
December 3, 2015, 07:45 PM
http://www.4kshooters.net/2015/12/04/adobe-premier...
Over the last few years, Adobe Premiere Pro has received some major updates and really morphed into an industry leading, fully-fledged NLE for professional video productions and some might even say overtaking rival Final Cut Pro and seeing a huge chunk of editors and video shooters, once loyal to the Apple NLE, jump ship from FCP 7/X and join the Adobe CC suite of pro applications.
December 3, 2015, 02:44 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Cutting Room, NY has added budding editor Jamie Connors to its roster. He comes to the studio after serving as an in-house editor at McCann Erickson, where he cut campaigns for Verizon FIOS, MasterCard, Sony Ericsson and Joe’s Crab Shack, among others. Connors brings an in-depth perspective on agency processes and sharp instincts as an editor that allows him to cut a wide variety of styles.
December 3, 2015, 02:43 PM
http://www.creativeplanetnetwork.com/news/edit/the...
In the below four-part tutorial, Thomas Grove Carter explains how he cut an Audi commercial with Final Cut Pro X. The tutorials go over everything from selecting and organizing footage, to clip connections, to editing during playback and retiming.
December 3, 2015, 12:30 PM
http://www.digitalproductionbuzz.com/2015/12/digit...
On the Digital Production Buzz, Larry Jordan talks with guests Patrick Southern, Christina Horgan, and Charles Dautremont. Editing Tips from a Professional Editor Get Great Production Sound Solve Problems with Cinedeck's "Insert Edit" Randi's Perspective: TBA WATCH FULL SHOW The post Digital Production Buzz – December 3, 2015 appeared first on Digital Production BuZZ.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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