It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 24, 2016, 08:58 PM
http://www.provideocoalition.com/reimporting-camer...
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can get tripped up when restoring clips from a Camera Archive in Final Cut Pro X. A Camera Archive is the name for a bit-for-bit copy of a camera card, preserving the card structure and all related metadata. When you insert The post Reimporting from Camera Archives in Final Cut Pro X appeared first on ProVideo Coalition.
June 24, 2016, 08:56 PM
http://lesterbanks.com/2016/06/actionvfx-goes-live...
New ActionVFX stock footage for visual effects creatives launches with high quality explosions, fire and particle assets. The Post ActionVFX Goes Live: Explosive Assets for Visual Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
June 24, 2016, 08:54 PM
http://www.provideocoalition.com/idolcam-end-jitte...
Soon on a campaign at Indiegogo, idolCam is the latest product from AeriCam. With it, the company says, anyone can capture silky, smooth movies like the pros. According to AeriCam, the end of vacation and wedding videos that look too amateur is near. If you feel embarrassed to share with friends and families and you The post IdolCam: the end of jittery video appeared first on ProVideo Coalition.
June 23, 2016, 10:17 PM
https://fxfactory.com/blog/effects-2/addmotion-for...
Brings new life to your timeline elements with Move, Pop, & Swing.
June 23, 2016, 10:16 PM
http://www.studiodaily.com/2016/06/the-mills-black...
The Mill said it's cracked the biggest problem in automotive advertising — the need to have a finished, physical car on location for your shoot. Blackbird is a blank, black car rig that can be modified on the fly to mimic … more » The post The Mill’s Blackbird Is Any Car and Every Car, Whenever You Need It appeared first on Studio Daily.
June 23, 2016, 09:59 PM
http://www.postmagazine.com/Video-Center/Gallery/V...
Deluxe's Encore VFX breaks down some of its visual effect work for CBS’s Supergirl. Armen Kevorkian supervised the project.
#vfx#supergirlJune 23, 2016, 09:58 PM
http://www.youtube.com/watch?v=-AK3ma42dik
Discover how Avid shared storage and the Avid Artist | DNxIO video interface provide Warrior Poets with the cutting-edge workflows they need to produce the high-quality and engaging content that audiences demand. Production teams can access and share media instantly, work with media in any resolution, and turn around demanding projects fast. And thanks to the openness of Avid Everywhere, the solutions work seamlessly with the company’s existing workflows. Learn more on http://avid.com/...
#avidJune 22, 2016, 02:54 PM
https://www.aotg.com/fcpx-in-under-5-min-how-to-match-2d-text-to-a-sce/
In this episode of Final Cut Pro X in Under 5 Minutes, Mark Spencer gives you the proper perspective on how to make your 2D Text behave like 3D text then place it into a scene.
June 22, 2016, 02:53 PM
https://www.aotg.com/using-the-leveler-for-consistent-and-natural-sound/
The Leveler in RX 5 Advanced allows you to smooth out dialogue levels more effectively than ever before. With all new processing under the hood, the Leveler achieves this without boosting esses, breathes, or the sound of ambience and room tone between words and phrases. With quick and effective processing, you’re able to get through what used to be hours of manual work in a matter of minutes.
June 21, 2016, 04:36 PM
https://www.aotg.com/reimporting-from-camera-archives-in-fcpx/
In this episode of MacBreak Studio, Steve walks you through the process of how to correctly use the "Reimport from Camera/Archive" menu item in Final Cut Pro.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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