It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 14, 2015, 10:36 AM
https://www.aotg.com/the-differences-in-editing-drama-music-and-dance/
http://www.larryjordan.com - The best drama, dance and music videos all start with a story. But, from there, they quickly diverge. Some music videos document a performance, while others create an interpretation of a performance. Some are very clean, while others showcase style over substance. And once you add dance to a music video, the rules change again. In fact, there are an infinite number of ways each of these could be edited. In our "Edit Music and Dance Videos" webinar, Larry Jordan...
December 10, 2015, 03:01 PM
https://www.aotg.com/ae-premiere-pro-integration-w-cc-libraries-ad/
Get easy access to your Adobe Stock video assets through the Creative Cloud Libraries panels built into After Effects and Premiere Pro. Use Adobe CreativeSync to keep all your creative assets—images, videos, Looks, and more—up to date and instantly available wherever you need them.
December 3, 2015, 12:28 PM
https://www.aotg.com/get-started-fast-with-media-composer-for-high-res-6/
Welcome to this first episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this lesson Kevin P McAuliffe will give you a general overview of setting up a larger than HD project, and I’ll discuss more of the basic concepts of Media Composer, with the focus being on high resolution formats, as well as some other great new features...
December 2, 2015, 06:09 AM
https://www.aotg.com/premiere-pro-cc-fall-2015-new-features-2/
In this video we talk about the December 2015 update to Adobe Premiere Pro CC and some features including some that weren't advertised by Adobe...
December 2, 2015, 06:07 AM
https://www.aotg.com/lionsgate-panel-the-contenders-2015/
Benicio Del Toro, Joe Walker (Editor), Molly Smith and Basil Iwanyk talk about the making of Sicario at The Contenders 2015 event.
November 30, 2015, 10:29 AM
https://www.aotg.com/transfer-4k-video-from-an-iphone-to-a-macintosh-a/
The iPhone 6s and 6s Plus both shoot 4K video. But… how? What do you need to know to shoot, transfer, edit and manipulate this incredible new video format using Adobe Premiere?
November 30, 2015, 10:29 AM
https://www.aotg.com/estimate-storage-needs-for-4k-video/
The iPhone 6s and 6s Plus both shoot 4K video. But… how? What do you need to know to shoot, transfer, edit and manipulate this incredible new video format using Adobe Premiere?
November 29, 2015, 08:15 AM
https://www.aotg.com/joe-walker-on-using-very-different-tension-strateg/
For Joe Walker, editing “Sicario,” Denis Villeneuve's hit thriller about the ever-growing war on drugs at the U.S./Mexican border, presented opportunities for creative ways of working. “My strategy was really just to enjoy these dailies that I was getting from Roger Deakins, and just be really rhythmic and muscular about it,” he explains as he chats via webcam from his editing suite (watch below).
November 22, 2015, 06:51 PM
https://www.aotg.com/buster-keaton-the-art-of-the-gag/
Before Edgar Wright and Wes Anderson, before Chuck Jones and Jackie Chan, there was Buster Keaton, one of the founding fathers of visual comedy. And nearly 100 years after he first appeared onscreen, we’re still learning from him. Today, I’d like to talk about the artistry (and the thinking) behind his gags. Press the CC button to see the names of the films.
November 19, 2015, 12:08 PM
https://www.aotg.com/tech-talk-media-composer-color-space-management/
For all Media Composer users, learn how to overcome common color space challenges by examining RGB and 601/709 color mapping. Learn how to properly represent and maintain color values when importing, exporting, or linking to sources. And recognize the differences when media is displayed on source, record, and client monitors.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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