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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

5 Things: Episode 101 - Adobe Anywhere 2.0

October 25, 2014, 10:39 AM

https://www.aotg.com/5-things-episode-101-adobe-anywhere-2-0/

Inaugural Episode of 5 Things. Ep 101 - Adobe Anywhere 2.0. Michael Kammes discusses 5 burning tech questions about Adobe Anywhere 2.0.

The Making of Full Metal Jacket

October 24, 2014, 05:09 PM

https://www.aotg.com/the-making-of-full-metal-jacket/

The Making of "Full Metal Jacket" © 1987 Warner Bros. Entertainment

How To Run fast like the flash

October 24, 2014, 01:43 PM

https://www.aotg.com/how-to-run-fast-like-the-flash/

This Quick tutorial (see the joke) about running fast, this is a vfx after effects tutorial to create a look like you are running fast like the flash. Plus, ...

Fitness In Post

October 24, 2014, 01:41 PM

https://www.aotg.com/fitness-in-post-2/

Sitting is literally killing us. We all work ridiculous hours in our caves. We all need more sunlight. We visit the snack wall too often. We don’t socialize enough. And we are all tired of feeling like garbage.

CROSS-CUT

October 23, 2014, 12:44 PM

https://www.aotg.com/cross-cut/

Explore the narrative, stylistic, and thematic connections between Michelangelo Antonioni's BLOW-UP, Francis Ford Coppola's THE CONVERSATION, and Brian De Palma's BLOW OUT with this video essay entitled "Cross-Cut."

All That Jazz: Fosse Time

October 23, 2014, 09:42 AM

https://www.aotg.com/all-that-jazz-fosse-time/

Watch fim critic Matt Zoller Seitz dig into the editorial technique of director/choreographer Bob Fosse and Oscar-winning film editor Alan Heim, ACE, on All That Jazz, tracing some of the stylistic choices back to the French New Wave.

Boris TV, Episode 223: 3D Extruded Logo

October 22, 2014, 03:43 PM

https://www.aotg.com/boris-tv-episode-223-3d-extruded-logo/

Douglas from Gaijin-Eyes is on a mission to show Edius users just how easy using Boris RED can be. Learn how to create and animate a 3D extruded logo from a...

All That Jazz: Fosse Time

October 22, 2014, 12:42 PM

https://www.aotg.com/all-that-jazz-fosse-time-2/

An examination of the editing of All That Jazz.

How to hear sound on left and right speakers-Adobe

October 22, 2014, 12:40 PM

https://www.aotg.com/how-to-hear-sound-on-left-and-right-speakers-adobe/

In this tutorial I share how to hear audio from the left and right channels by changing it to Mono in Adobe Premiere.

Lucas on What’s Wrong with the Movie Business

October 21, 2014, 01:13 PM

https://www.aotg.com/lucas-on-whats-wrong-with-the-movie-business/

Legendary director George Lucas reflected on how much the film industry has changed, marked by increased clashes between creative filmmakers and studios concerned about the bottom line.

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