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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Paddington 2 - VFX Breakdown

November 22, 2018, 10:30 AM

https://www.artofvfx.com/paddington-2-vfx-breakdow...

Have a look at the underwater sequence made by Rodeo FX for PADDINGTON 2...

I KIll Giants: Making of By...

November 22, 2018, 10:30 AM

https://www.artofvfx.com/i-kill-giants-making-of-b...

Interesting making of about the work of Umedia VFX on I KILL GIANTS...

Narcos - Mexico: Opening Titles

November 22, 2018, 05:48 AM

https://www.artofvfx.com/narcos-mexico-opening-tit...

Have a look at the new opening titles for NARCOS: MEXICO made by Momoco...

Solo: A Star Wars Story - Hybride VFX Breakdown

November 22, 2018, 05:48 AM

https://3dtotal.com/news/general/solo-a-star-wars-...

Hybride have posted a VFX breakdown of their work on Solo: A Star Wars Story.

10 Workflow Tricks for Premiere Pro

November 21, 2018, 06:08 AM

https://nofilmschool.com/2018/11/10-handy-editing-...

Adobe Premiere Pro is a ginormously massive piece of editing software that has a plethora of powerful tools, both big and small. Even if you're a seasoned user, you may not know all of the tiny little ways in which you can speed up your workflow, perform tasks with a single press of a keyboard key, and avoid all of those unforeseen mishaps that can drive you utterly insane.

Patron Appreciation Day

November 21, 2018, 06:07 AM

https://www.youtube.com/watch?v=v5LueaakQoE

Today is #ThankYouPatrons day and it's happening all over the internets right now, so I want to express my gratitude to you in this very personal message to hopefully make you feel warm and fuzzy. Thank you!

Zack Arnold, ACE, on Maximizing Media Composer

November 20, 2018, 05:49 AM

https://www.youtube.com/watch?v=dPaD1rRYs4Q

Zack Arnold, ACE, is the editor of shows like Cobra Kai, Empire, and Burn Notice, and he clearly explains his processes for managing media, using Media Composer, and taking care of health and well-being to maximize his creativity. VISIT http://www.avid.com/media-composer Follow Avid Media Composer: Facebook: https://facebook.com/avidmediacomposer Instagram: https://instagram.com/avid.mediacomposer Twitter: https://twitter.com/mediacomposer LinkedIn: https://www.linkedin.com/comp...

Boris FX Black Friday 2018: Save on Mocha Pro

November 19, 2018, 10:00 AM

https://vimeo.com/301642227

Boris FX Black Friday 2018: Save on Mocha Pro

The Meg Previs

November 16, 2018, 01:13 PM

https://www.artofvfx.com/the-meg-previs-reel-by-ha...

Come have a look at the previs work by Halon for THE MEG...

A Quiet Place Sound Editors Discuss the film

November 15, 2018, 02:20 PM

https://deadline.com/video/a-quiet-place-john-kras...

On examination of those behind the filmic curtain—creating the sonic palette through which to feel a world—any number of descriptors seem to apply. Magicians, wizards and puppet masters who have trained themselves in the art of emotional manipulation, sound editors are too often among those craftsmen and women taken for granted, when the reality is that no film could function, or pull the audience in toward the screen, without their dedicated, passionate work. The supervising sound editors b...

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