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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Star Wars: Ahch - To Sanctuary

February 13, 2016, 06:13 AM

https://www.aotg.com/star-wars-ahch-to-sanctuary/

Check out this fantastic digital matte painting, camera projection, 3D compositing breakdown showing the Millennium Falcon landing, by the talented David Ratajczak! For more information, please see the details and links below...

Final Cut Pro X Essentials - Audio

February 9, 2016, 10:21 AM

https://www.aotg.com/final-cut-pro-x-essentials-audio/

In this lesson we’re talking about audio. Everything audio, from using your meters to how you view your waveforms. Plus, we’ll cover audio controls, leveling practices, audio keyframes and how to sync audio from two or more sources.

MochaBlend for C4D: project example

February 9, 2016, 06:34 AM

https://www.aotg.com/mochablend-for-c4d-project-example/

MochaBlend C4D is the exciting new plug-in for Maxon Cinema 4D that converts mocha’s 2D planar tracking into 3D motion. This project test was created by David Torno of Ghost Town Media.

Online Finishing Look Development & Skin Retouchi

February 8, 2016, 10:19 AM

https://www.aotg.com/online-finishing-look-development-skin-retouchi/

Boris FX & special guest presenter & finishing artist, Dan Harvey, present a 1 hour webinar training session on Online Finishing & Effects Techniques. Learn how the new Boris Continuum 10 plug-ins for Avid & Adobe can be used to compliment professional broadcast finishing projects. Tips & tricks for experienced editors & colorists.

Houdini VRLA Winter 2016

February 8, 2016, 06:30 AM

https://www.aotg.com/houdini-vrla-winter-2016/

Learn about how you can use Houdini in VR!

Ben-Hur Wins Special Effects: 1960 Oscars

February 4, 2016, 01:24 PM

https://www.aotg.com/ben-hur-wins-special-effects-1960-oscars/

Haya Harareet presenting the Oscar® for Special Effects to A. Arnold Gillespie, Robert MacDonald and Milo Lory for "Ben-Hur" at the 32nd Academy Awards in 1960. Hosted by Bob Hope.

Postmodern Showreel 2015

February 4, 2016, 06:09 AM

https://www.aotg.com/postmodern-showreel-2015/

Postmodern have released their brand new showreel featuring their VFX & CG work on BATTLE FOR SEVASTOPOL (Nezlamna) and many more...

CGI VFX Breakdown HD:

February 3, 2016, 06:02 AM

https://www.aotg.com/cgi-vfx-breakdown-hd-2/

Check out the cool VFX breakdown for the spot "Fonds de Solidarité" created by the talented folks over at Shed! For more information, please see the details and links below...

'The Martian' Visual Effects -­ Variety Artisans

February 3, 2016, 06:02 AM

https://www.aotg.com/the-martian-visual-effects-variety-artisans/

'The Martian' has director Ridley Scott returning to the science fiction genre where he made his mark with “Alien” and “Blade Runner.” Visual effects supervisor Richard Stammers and virtual production supervisor Casey Schatz reveal how everything from Scott’s sketches on printouts to the latest computer technology helped create one of Hollywood’s most realistic space adventures.

CGI & VFX Breakdowns HD:

February 1, 2016, 06:38 AM

https://www.aotg.com/cgi-vfx-breakdowns-hd/

Check out this insightful breakdown for the trailer for the new Ubisoft video game "The Division" with VFX created by the talented team at Digital District Paris!

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