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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Symbol Pop 2 for Final Cut Pro X

June 23, 2015, 12:10 PM

https://www.aotg.com/symbol-pop-2-for-final-cut-pro-x/

Symbol Pop has 192 customizable symbols in 8 templates. Use the animated Social Media icons in your commercial projects. Use the Technology and Internet symbols in your lifestyle video projects. No matter what your story is, Symbol Pop’s got an icon ready for you.

Working with Proxy files for 4K

June 23, 2015, 09:00 AM

https://www.aotg.com/working-with-proxy-files-for-4k/

I recently purchased a Sony FS7 4K camera. I'm getting accustomed to it and expect some really cool stuff in the coming weeks.

MacBreak Studio: Ep. 315 - Saving Transform Preset

June 23, 2015, 08:59 AM

https://www.aotg.com/macbreak-studio-ep-315-saving-transform-preset/

In this episode, Steve from Ripple Training will show Mark how to save Transform presets in Final Cut Pro 10.2.

This Weeks Post News

June 19, 2015, 01:21 AM

https://www.aotg.com/this-weeks-post-news/

This weeks post news looks at Rick Baker's retirement and Adobe's CC 2015 Announcements.

New Task-Oriented Workspaces - Premiere Pro (2015)

June 16, 2015, 05:14 AM

https://www.aotg.com/new-task-oriented-workspaces-premiere-pro-2015/

Toggle between new workspaces that organize your tools around the different tasks in your post-production workflow. Customize workspaces so that the tools you need are always right at hand.

Introducing Adobe Stock

June 16, 2015, 05:14 AM

https://www.aotg.com/introducing-adobe-stock/

Learn how to access 40 million royalty-free stock photos, illustrations and graphics in Creative Cloud.

Improved Import from Premiere Clip - Premiere Pro

June 16, 2015, 05:13 AM

https://www.aotg.com/improved-import-from-premiere-clip-premiere-pro/

Premiere Clip projects now open directly in Adobe Premiere Pro, so you get a seamless transition from your mobile editing experience to the power of a desktop NLE.

How Do We Measure an Audience?

June 15, 2015, 12:38 PM

https://www.aotg.com/how-do-we-measure-an-audience-2/

The success of a film or video is often judged on the size of the audience - but how do we measure that audience? - It's not always as simple as counting tickets. In this lesson we look at the techniques and methods studios and distributors use to calculate who has seen their products and try to make sense of all those Box Office Numbers and Ratings.

The Spielberg Oner

June 15, 2015, 09:26 AM

https://www.aotg.com/the-spielberg-oner/

One overlooked aspect of Spielberg is that he's actually a stealth master of the long take. From Duel to Tintin, for forty years, he has sneakily filmed many scenes in a single continuous shot.

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