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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Creating Bins Avid Media Composer

February 20, 2014, 01:53 PM

https://www.aotg.com/creating-bins-avid-media-composer/

Learn the basic workflow of creating bins within Avid Media Composer and how tabbed bin windows work.

Free Infographics for FCPX Tutorial

February 20, 2014, 01:53 PM

https://www.aotg.com/free-infographics-for-fcpx-tutorial/

http://fxfactory.com/info/datapopfree/ Create infographic titles and charts with Data Pop Free, a new set of 4 plugins designed for HD content and available ...

"The Hurt Locker" winning a Film Editing Oscar

February 20, 2014, 01:53 PM

https://www.aotg.com/the-hurt-locker-winning-a-film-editing-oscar/

Tyler Perry presenting the Oscar® for Film Editing to Bob Murawski and Chris Innis for "The Hurt Locker" at the 82nd Academy Awards in 2010.

Douglas Crise (Pt 1), editor Babel

February 20, 2014, 10:26 AM

https://www.aotg.com/douglas-crise-pt-1-editor-babel/

Douglas Crise cut his teeth first assisting on Ocean's Eleven, Good Night and Good Luck, and Traffic before going on to cut Babel, Arbitrage and Spring Break...

Creating Bins Avid Media Composer

February 20, 2014, 10:25 AM

https://www.aotg.com/creating-bins-avid-media-composer-2/

Learn the basic workflow of creating bins within Avid Media Composer

Filling Titles With Video in Avid MC6

February 20, 2014, 10:25 AM

https://www.aotg.com/filling-titles-with-video-in-avid-mc6/

Manhattan Edit Workshop Director of Education Janet Dalton's Tutorial for Filling Titles With Video in Avid Media Composer 6.

Get Started Fast with Avid for Final Cut Pro 7 Edi

February 20, 2014, 10:23 AM

http://www.avidblogs.com/final-cut-pro-7-fast-audi...

The post Get Started Fast with Avid for Final Cut Pro 7 Editors: Lesson 5 appeared first on Avid Blogs.

Julia Child Demonstrates Videotape Editing

February 20, 2014, 05:47 AM

https://www.aotg.com/julia-child-demonstrates-videotape-editing/

Shortly after her new cooking show "The French Chef" aired in 1963, public television's new star, Julia Child, entertained WGBH colleagues at a holiday party with…

FCPWORKS publish three videos from their Los Angel

February 20, 2014, 05:43 AM

http://www.fcp.co/final-cut-pro/articles/1352-fcpw...

FCPWORKS has just published videos of three of the presentations from their recent event in Los Angeles. Alexis Van Hurkman, Sam Mestman and Bryce Button are all on stage.

Announcing “Silent,” Dolby's tribute to sound

February 18, 2014, 05:57 PM

http://blog.dolby.com/2014/02/announcing-silent-tr...

For decades, Dolby has been working closely with top Hollywood filmmakers, building the technology and tools they need to bring their visions to life. After all that time consulting on movie sets and in editing studios, it was probably inevitable we’d get the itch to make a film of our own. And now, we’ve done it.

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