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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How Eisenstein filmed the Unfilmable through Monta

January 23, 2018, 05:54 AM

https://nofilmschool.com/2018/01/watch-how-sergei-...

If you happened to look something up today, you might've noticed a familiar face on the Google Doodle. That's because January 22, 2018 marks what would've been the 120th birthday of Sergei Eisenstein, the Soviet filmmaking pioneer that helped usher in the modern age of movie making and film editing. If you're not well acquainted with the Latvian director, this video essay from One Hundred Years of Cinema will not only help you get up to speed on his many cinematic contributions but also explain ...

Watch 2018 Oscar Nominations – Live Stream Onlin

January 23, 2018, 05:53 AM

http://variety.com/2018/film/news/watch-2018-oscar...

Film’s biggest night is almost here, and for those looking to get an early jump on the Oscars, nominations will be live-streamed on Tuesday starting at 5:22 a.m. PT/8:22 a.m. ET. All 24 categories will be announced in a two-part live presentation, streamed on the Oscars YouTube page and in the video above. The global live stream can be viewed on Oscar.com and Oscar.org as well.

The 8th Most Creative Filmmaking Hack

January 20, 2018, 06:50 PM

https://www.aotg.com/the-8th-most-creative-filmmaking-hack/

A new series on creativity hacks to get your film to the next level.

TOTAL WAR: THREE KINGDOMS

January 19, 2018, 10:38 AM

http://www.artofvfx.com/total-war-three-kingdoms/?...

Have a look at this beautiful cinematic created by Platige Image for TOTAL WAR – THREE KINGDOMS...

Video Essay: Informed Images

January 18, 2018, 07:20 AM

https://www.aotg.com/video-essay-informed-images/

VIDEO ESSAY: #InformedImages: “Rebecca,” “The Passionate Friends,” “Rear Window” and “Phantom Thread”

Editor Amy Foote on the Opening of

January 17, 2018, 06:37 PM

https://www.aotg.com/editor-amy-foote-on-the-opening-of/

Editor Amy Foote on the opening of "The Work." Recorded at "Sight, Sound & Story" on June 10, 2017. Amy Foote is a documentary editor based in Brooklyn, NY. Her editing credits include; "The Work" (SXSW Grand Jury Winner 2017), the Peabody Award winning film "Mavis!" (HBO), "1964" (PBS American Experience), the Emmy-nominated film, and James Beard Award winning film "A Matter of Taste: Serving Up Paul Liebrandt" (HBO, BBC); "For Once In My Life," (PBS Independent Lens, SXSW...

Tips on Recording Bomb Audio with a Handheld Recor

January 17, 2018, 04:46 AM

https://nofilmschool.com/2018/01/watch-tips-record...

Capturing good audio is just as (if not more) important as capturing good images. Lavalier and shotgun mics are great options because they allow you to not only get close to the source of your audio but they are designed to stay out of or hidden inside the frame. However, if you don't have either of these types of mics (in which case, you should definitely think about investing in them), an inexpensive handheld recorder, like the Zoom H1 or H4n, works really well as long as you know how to posit...

EASY LOWER THIRDS - Monkeybars from AEScripts

January 16, 2018, 06:45 PM

https://www.youtube.com/watch?v=_aemczTZP30&t=3s

In episode 4 of my YouTube Series: Rob's Tech Reviews, I take a look at Monkeybars which is an script for After Effects available on AEScripts for making quick and automated text boxes for lower thirds.

#editor#editing#design#motion graphics#graphic design#aescripts#title design
Bringing Creatures to Life in ‘Jumanji: Welcome

January 15, 2018, 06:20 PM

https://www.awn.com/news/rodeo-fx-brings-creatures...

The sequel to the 1995 family classic takes the story of a board game that’s come to life and brings it to the digital age by transforming a group of teens into avatars and trapping them inside a video game jungle, where the only way out is to beat the game. To help create an alternate game world, Rodeo FX’s creature expertise was brought in.

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