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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Men In Black 3 - Environment Monocycle Chase

April 30, 2015, 01:09 PM

https://www.aotg.com/men-in-black-3-environment-monocycle-chase/

In Men in Black 3, Agents J (Will Smith) and K (Tommy Lee Jones) are back... in time. J has seen some inexplicable things in his 15 years with the Men in Black, but nothing, not even aliens, perplexes him as much as his wry, reticent partner. But when K's life and the fate of the planet are put at stake, Agent J will have to travel back in time to put things right.

CGI VFX Showreels HD: Houdini FX Reel

April 30, 2015, 03:40 AM

https://www.aotg.com/cgi-vfx-showreels-hd-houdini-fx-reel/

Check out another inspiring VFX reel, this time by the talented Houdini VFX Artist Brett Angelillis! This reel shows awesome examples from his most recent Houdini FX work for film and commercials at The Mill and Method Studios.

Alice In Wonderland: Visual Effects Breakdown

April 30, 2015, 03:40 AM

https://www.aotg.com/alice-in-wonderland-visual-effects-breakdown/

A selection of visual effects breakdowns from Tim Burton's Alice in Wonderland.

fxphd Tornado Destruction Course Free Preview

April 30, 2015, 03:40 AM

https://www.aotg.com/fxphd-tornado-destruction-course-free-preview/

This is a free preview of class #1 of our new VFX301: Tornado Destruction course at fxphd.com.

bq_Project Panel Navigator Demo

April 28, 2015, 12:27 PM

https://www.aotg.com/bq_project-panel-navigator-demo/

A compact toolbar to quickly navigate & edit Project Panel items.

Behind The Scene: Edge of Tomorrow

April 28, 2015, 09:27 AM

https://www.aotg.com/behind-the-scene-edge-of-tomorrow-2/

We are offering 100 CION production cameras to qualified shooters in North America so they can experience the incredible film-like beauty of CION for themselves. We believe that once you are able to put the CION camera through its paces on your own production that you...

Elysium VFX Breakdown

April 27, 2015, 04:46 AM

https://www.aotg.com/elysium-vfx-breakdown-2/

Elysium breakapart reel: Highlights and breakdowns of the visual effects we provided on Neill Blomkamp's blockbuster, Elysium.

Tutorial: RealFlow to Modo - Darren Van Coller

April 27, 2015, 04:46 AM

https://www.aotg.com/tutorial-realflow-to-modo-darren-van-coller/

This tutorial shows you step by step how to import RealFlow liquid particles & meshes into MODO without importing the actual geometry data.

AMERICAN SNIPER SHOWREEL

April 25, 2015, 11:05 AM

https://www.aotg.com/american-sniper-showreel/

American Sniper show reel: highlights of some of the visual effects Image Engine provided for director, Clint Eastwood's depiction of Navy SEAL sniper Chris Kyle' in American Sniper.

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