To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Video
Elementary (2012)
May 21, 2013, 04:52 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
The opening title sequence for CBS' updated Sherlock Holmes series Elementary reflects the show's contemporary take on a classic character. Prologue Creative Director Simon Clowes employs a Rube Goldberg contraption to represent the manic detective's unorthodox, sometimes convoluted and often aggressive approach to crime solving.
Premiere Pro News Notes #02
May 20, 2013, 05:52 AM
http://provideocoalition.com/ryoung/story/premiere...
A series of as-they-come notes on news of assorted Premiere Pro tutorials, tips, and related tools continues.
#premier proEasy fixing of 2D to stereo 3D conversion errors
May 17, 2013, 07:36 AM
Many typical conversion errors are easy and fast to fix without depth map correction and / or stereo painting. It’s also possible to reduce the volume of necessary clean plates. Look how to do it very easy with Stereo generator - just set parallax, screen play level and here you go!
#2d to 3d conversion#clean plates#depth map#stereo correction#stereo generatorOFFF 2013 Cincinnati (2013)
May 15, 2013, 04:41 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
A discussion with Creative Director ONUR SENTURK.Give us a little background on yourself.What I do includes everything from short films to title sequences, music videos to commercials...
The Changing Role of the Assistant Editor
May 14, 2013, 12:30 PM
https://www.aotg.com/the-changing-role-of-the-assistant-editor/
The evening focused on the changing role of the assistant editor: the increased amount of VFX and colour correction work that the position now entails, the technical work flow and typical post schedules, as well as discussion on how to get a job, how to make the move to Editor positions and how an assistant editor can be creatively vital.
#editor#editing#film editing#canadian cinema editors#cceThe Seven Year Itch (1955)
May 8, 2013, 10:48 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Perhaps more than any other film title sequence, Saul Bass' contribution to Billy Wilder's The Seven Year Itch marks a turning point in both the relationship of the title sequence and its film and its independent value as a pop culture art form.
Iron Man 3 (2013)
May 7, 2013, 05:08 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Prologue's rambunctious main-on-end titles for Iron Man 3 ably encompass three movies worth of Tony Stark Adventures(TM) in a montage as happy-go-lucky and over-the-top as the armor-clad superhero himself.Interlocking angled transitions and perfectly timed freeze-frames bring the Marvel cinematic universe ever so briefly back to the pages and panels that first spawned it.
Inside The Cutting Room: Sight, Sound...
May 6, 2013, 11:17 AM
http://manhattaneditworkshop.blogspot.com/2013/05/...
Inside The Cutting Room: Sight, Sound and Story Preview from Manhattan Edit Workshop on Vimeo.
Tim Squyres, on Editing Rachel Getting Married
May 3, 2013, 09:48 AM
https://www.aotg.com/tim-squyres-on-editing-rachel-getting-married/
Editor Tim Squyres, A.C.E. on Editing "Rachel Getting Married" from Manhattan Edit Workshop on Vimeo.Editor Tim Squyres, A.C.E. discusses the upside of continuity issues as seen in "Rachel Getting Married."
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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