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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

LOGAN | Logan Digital Double

August 10, 2017, 04:56 PM

https://www.aotg.com/logan-logan-digital-double/

Seeing how much work goes into creating the perfect shot in post really blows us away.

Creating Cue Mixes with Pro Tools | MTRX

August 9, 2017, 12:09 PM

https://www.aotg.com/creating-cue-mixes-with-pro-tools-mtrx/

The Pro Tools | MTRX allows the creation of highly customizable cue mixes defined within the monitor profile. Learn how to create cues comprised of sources coming from Pro Tools to iTunes with Dante-based headphone amplifiers from Focusrite and KLANG.

Rigging and Muscles in Houdini

August 5, 2017, 07:06 AM

http://www.cgmeetup.net/home/rigging-muscles-houdi...

SideFX’s Scott Keating covers a variety of rigging methods inside of Houdini, from Auto-Rigging to custom networks. From there, he covers a variety of techniques for adding muscles to your character and simulating the result.

THE TALES OF WUKONG: VFX Breakdown

August 2, 2017, 09:12 AM

http://www.artofvfx.com/the-tales-of-wukong-vfx-br...

Korean studio Macrograph presents their VFX work on THE TALES OF WUKONG...

Editor Dylan Tichenor, ACE on Crafting a Character

August 2, 2017, 05:18 AM

https://www.aotg.com/editor-dylan-tichenor-ace-on-crafting-a-character/

Dylan Tichenor, ACE, began working on films as an assistant to Geraldine Peroni (an American film editor) in the 1990’s. When Peroni passed away in 2004, Tichenor stepped to finish her work on Ang Lee’s "Brokeback Mountain." Tichenor was first credited with Paul Thomas Anderson's "Boogie Nights," fo...

Meet the VFX pros mentoring the BFX Competition

August 1, 2017, 09:33 AM

http://www.creativebloq.com/news/meet-the-vfx-pros...

Student teams will get advice from top VFX and animation studios.

How To Start An Edit

July 29, 2017, 02:14 PM

https://www.aotg.com/how-to-start-an-edit/

There's a million ways to get stuck editing a film. Here are 3 methods to keep you from battling the dreaded editor's block.

The Great Wall VFX Breakdown by Base FX

July 29, 2017, 04:50 AM

http://www.cgmeetup.net/home/the-great-wall-vfx-br...

Base FX – European mercenaries searching for black powder become embroiled in the defense of the Great Wall of China against a horde of monstrous creatures.

Kong: Skull Island Previs Reel

July 29, 2017, 04:50 AM

http://www.cgmeetup.net/home/kong-skull-island-pre...

Team HALON joined KONG: SKULL ISLAND early in production for previs, and then was asked to return for extensive postvis work. We started with a small team collaborating with other people in the production but mostly the director, Jordan Vogt-Roberts.

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