It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 12, 2013, 07:51 AM
http://edaeditores.com.ar/entrevista-a-andrea-chig...
(In Spanish) In the last decade, Chilean cinema was living a revitalization process that now places Chilean cinema on the cutting edge of Latin American cinema. Behind this process there are many professionals marked by a rough political life. Among them, there is Andrea Chignoli, who edited NO (last feature film directed by Gael Garcia Bernal).
February 11, 2013, 02:13 PM
https://www.aotg.com/tellefsen-on-the-people-v-larry-flynt/
Editor Christopher Tellefsen, A.C.E. talks about the transition from editing manually to digitally using an example from "The People Vs. Larry Flynt." For more information on Editfest NY please go to editfestny.com.
February 11, 2013, 02:12 PM
http://www.crumplepop.com/blog/?p=592
Dale Grahn Shares His Experience on Color Timing His First Film, Predator (1987.)To watch his timed trailer click here. Dale Grahn Color is currently in the new and noteworthy section of the iPad App store. To learn more check out our Dale Grahn Color page or take a look at the app in the iTunes store.
February 11, 2013, 10:28 AM
http://awards.bafta.org/award/2013/film/editing
William Goldenberg won the BAFTA for ARGO, watch his acceptance speech.
#award#baftaFebruary 8, 2013, 11:39 AM
https://www.aotg.com/flashpoint-post-team-speaks/
"Flashpoint" is a groundbreaking Canadian series that set a new standard for Canadian television. Broadcast in the U.S. on CBS, and in Canada on CTV, it was consistently a top ranked show, hailed for it's outstanding production value and excitement, and span 5 seasons.
February 7, 2013, 11:18 AM
https://www.aotg.com/kate-williams-on-her-early-career/
Kate Williams talks about here early career, getting into to editing and cutting here first feature, Trees Lounge for director Steve Buscemi. She also talks in detail about her early mentors, working with Jill Billcock and Fred Schepisi. Finally she outlines her techniques and methods during the editing of Fred Schepisi's
February 7, 2013, 07:35 AM
http://www.aotg.com/edl/predator-hunting-scenes-v/
Predator is one of the trickiest alien creatures out to get us yet-- but thankfully the tension of the hunt can be beautifully portrayed through editing! Check it out: Leave your suggestions in the comment section below for general scene topics, as well as next time's topic: Predator Hunting Scenes! Alternately, contact me on: Twitter [...]
February 5, 2013, 03:15 PM
https://www.aotg.com/christopher-tellefsen-on-editing-analyze-this/
Editor Christopher Tellefsen, A.C.E. discusses the importance of actor chemistry using a scene from Analyze This.
February 5, 2013, 03:08 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Tick, tick, tick. The opening sequence of Tom Tykwer's Run Lola Run is an experiment in choice, in allowing editing and style to speak: gritty, brisk, and bold. It plays out in four acts: horror, thriller, cartoon, and crime.First, we encounter time itself. A grimacing pendulum that sweeps credits into and out of sight - relentless, staring - until, mercifully, we are swallowed up and transported into a crowd. Wandering, faceless, lost among our questions and lead by the narrator...
February 1, 2013, 03:05 PM
http://starwipemyass.tumblr.com/post/42027760568
The Professionals - A humorous look at the Masters of Video, via Shane Ross aka @comebackshane...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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