It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 28, 2017, 10:35 AM
https://www.aotg.com/the-colonies-bob-ackerman-cut-mcdonalds-spot/
Chicago: We Are Unlimited teamed up with creative editor Bob Ackerman at The Colonie for McDonald’s new spot, ‘I Got This,’ introducing its new ‘One For You. One For Free’ Daily Deal Menu. Directed by Brig White out of Tool of NA/LA, the campaign’s off-kilter humor is heightened by improvised exchanges between the actors playing the two featured characters.
#editing#vfx#digital#broadcast#commercials#the colonie#bob ackermanJune 27, 2017, 09:30 AM
http://www.indiewire.com/2017/06/kong-skull-island...
“Kong: Skull Island” is not the only Hollywood movie to employ dizzyingly fast editing, but the latest installment of Legendary Entertainment’s MonsterVerse is taking some hits for its rapid cutting pace. A YouTube video entitled “TERRIBLE editing in Kong: Skull Island” reveals that an early sequence in the film averages one cut every two seconds during a nearly five-minute span.
June 27, 2017, 07:12 AM
https://www.aotg.com/color-by-numbers-sofia-coppolas-pastels/
Color by Numbers: Sofia Coppola’s Pastels
June 26, 2017, 09:13 AM
http://www.artofvfx.com/bolshoy-vfx-breakdown-by-c...
Really nice VFX Breakdown by CGF about their work on BOLSHOY...
June 26, 2017, 04:42 AM
https://www.aotg.com/editing-moonlight-nat-sanders-and-joi-mcmillion/
Editors Nat Sanders and Joi McMillion, discussed their work on critically acclaimed film Moonlight, the 2017 recipient of the Academy Award for Best Picture. NOTE: Although we showed clips and talked about them we are unable to show them here on YouTube for reasons only YouTube can answer. There was also a number of questions from the audience.
June 26, 2017, 04:42 AM
https://www.aotg.com/advice-on-making-your-own-film-analysis-videos/
In recent years, we've seen a huge influx in video essays about film, which is not only giving students of film access to the kind of film analysis you tend to only get in film school, but it's also changing the way film analyses are produced and exhibited altogether.
June 24, 2017, 03:09 PM
https://fstoppers.com/audio/how-use-j-cuts-enhance...
J-Cuts can be described as having the sound enter the scene before the scene appears visually, or it can be used to play out a scene where the audio is used after the shot has ended. They're used in TV and movies, and they're a professional element that sets you and your style apart from those who just cut scenes together. This enables you to get a nice flow in your video, and it all blends and layers to make it more interesting and give your work more power.
June 23, 2017, 12:02 PM
http://www.artofvfx.com/legends-of-tomorrow-episod...
Encore have released this VFX Breakdown about their work on the episode 207 of LEGENDS OF TOMORROW...
June 23, 2017, 04:17 AM
http://www.cgmeetup.net/home/the-last-kingdom-seas...
Blue Bolt delivered 527 shots for the second season of this Viking-era epic. We created extensive set extensions and locations, bringing 9th century Saxon England to life. Among the most notable creations was a fully CG Viking ship that features repeatedly throughout episode 3, including in a spectacular storm sequence.
June 22, 2017, 12:41 PM
https://www.youtube.com/watch?v=7l_e5SAP8rM
A video essay exploring the art of film editing and its manipulation of space and time to both narrative and psychological ends.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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