It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 16, 2014, 04:19 PM
http://moviola.com/inside-hollywood/editors-on-edi...
Tatiana S. Riegel, editor of Lars & the Real Girl, The Way Way Back & Million Dollar Arm, discusses the editing behind a few of her films, giving insight on redirecting the audiences perception of characters & how to cut scenes without letting the music take over the editing.
October 16, 2014, 11:50 AM
http://feedproxy.google.com/~r/richardharringtonbl...
Learn how to give your movie a soundtrack using Adobe Photoshop CC.
October 16, 2014, 04:35 AM
http://moviola.com/inside-hollywood/a-conversation...
Listen as Tatiana S. Riegel, editor of Disney's Million Dollar Arm, discusses the editing process for this inspirational film. As well as the importance of pacing for emotion, holding back information from the audience and creating unique pitching montages throughout the film.
October 15, 2014, 07:16 PM
https://www.aotg.com/discover-adobe-media-encoders-new-features/
Understanding video compression is essential in today's world of digital media. However, many editors are baffled by all the options. Our "Video Compression Comparison"...
October 15, 2014, 01:08 PM
http://moviola.com/inside-hollywood/a-conversation...
Doc, Joe and John were the editors of the hit musical series, Glee. Listen to their stories on life before Glee, their favorite shows and the switch over to Avid.
October 15, 2014, 01:08 PM
https://www.aotg.com/h-265-vs-h-264-the-reality-of-the-options/
The case for H.265, like most new video technologies, is compelling: better compression and faster/cheaper delivery over lower bit rates. However, the realit...
October 14, 2014, 04:16 PM
https://www.youtube.com/watch?v=w4qZw87v0WM
Christopher Tellefsen, A.C.E. has worked with some of the finest writers and directors on critically lauded films such as Gummo, Smoke and Larry Clark's Kids. In 2005 he edited Golden Globe winner and Oscar nominee Capote. The film A Guide to Recognizing Your Saints took home two top awards at the 2006 Sundance Film Festival. He has also worked on a wide array of genres including Flirting With Disaster, The Yellow Handkerchief, M. Night Shyamalan's The Village and Analyze This. Most recently Chr...
October 14, 2014, 12:01 PM
http://www.studiodaily.com/2014/10/aja-io-4k-suppo...
Grass Valley, Calif (October 13, 2014) — AJA Video Systems' Io 4K device for professional video and audio I/O was used to facilitate 4K playback for VFX review on director David Fincher’s Gone Girl, from 20th Century Fox and New … more »
October 14, 2014, 12:00 PM
http://moviola.com/inside-hollywood/a-conversation...
Lillian discusses her approach to editing documentaries & how she finds herself on the right path in each narrative.
October 14, 2014, 09:13 AM
http://provideocoalition.com/mspencer/story/intera...
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the subject we tackle in this week's edition of MacBreak Studio. While Motion is the primary companion application for creating motion graphics for editors using Final Cut...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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