It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 9, 2016, 05:51 AM
https://www.aotg.com/anne-v-coates-ace-on-using-limited-coverage/
Editor Anne V. Coates, ACE discusses cutting with limited coverage in "Murder on the Orient Express." From the panel "Inside the Cutting Room with Bobbie O'Steen" at "Sight, Sound & Story" on June 11th, 2016.Anne V. Coates, ACE, is a renowned British editor who has worked on over sixty films, including the classic epic "Lawrence of Arabia," for which she received an Academy Award. She has garnered four additional Academy Award nominations for "Becket," "The Elephant Man,"...
December 8, 2016, 10:39 AM
https://www.aotg.com/efficient-rendering-of-heterogeneous-poly-disperse/
We address the challenge of efficiently rendering massive assemblies of grains within a forward path-tracing framework. Previous approaches exist for accelerating high-order scattering for a limited, and static, set of granular materials, often requiring scene-dependent pre-computation. We significantly expand the admissible regime of granular materials by considering heterogeneous and dynamic granular mixtures with spatially varying grain concentrations, pack rates, and sizes.
December 8, 2016, 05:41 AM
https://www.aotg.com/lumaforge-fcpx-10-3-workflow/
Sam Mestman, Patrick Southern and Gergana Angelova walked us through a brand new narrative workflow built around the new FCPX 10.3 update and a Lumaforge Jelly Fish. They demonstrated automated syncing, organization, and renaming, as well as automated Pro Tools input and Wide color gamut management for DCP render and delivery. And there was a couple more surprises too, but the power of Final Cut Pro 10.3 and metadata was on full display. You now have a second chance if you missed this p...
December 8, 2016, 05:40 AM
A look back on 5 seasons worth of VFX for "Arrow" in celebration of its 100th episode.
December 7, 2016, 05:09 PM
http://www.artofvfx.com/league-of-gods-vfx-breakdo...
Gimpville have released the VFX breakdown about their work on LEAGUE OF GODS...
December 7, 2016, 06:07 AM
https://www.aotg.com/zero-vfx-showreel/
This is ZERO’s latest showreel, featuring work on Ghostbusters, The Magnificent Seven, Hardcore Henry, Southpaw, Black Mass, The Equalizer and more.
December 6, 2016, 05:57 AM
https://www.aotg.com/fantastic-beasts-and-where-to-find-them/
Framestore – Having previously contributed to the Harry Potter films, Fantastic Beasts and Where to Find Them was a great chance for Framestore to once more delve into the wizarding world of J.K. Rowling. Find out more from Framestore’s Christian Manz (overall VFX Superviser) and Pablo Grillo (Animation Director) about the creation of the magical beasts, from pre-production onwards.
December 6, 2016, 05:56 AM
https://www.aotg.com/game-audio-hour-121-matt-pliskin-talks-rednet/
A weekly podcast where we discuss all things game audio. From creative ideas to the latest techniques, project experiences to audio secrets. Here is where you'll find in-depth coverage and opinions related to game audio.
December 2, 2016, 06:02 AM
https://www.aotg.com/semiotics-what-we-dont-see-in-movies/
In this video I look at the way Semiotic theory is used in films to tell story as well as elaborating on characters and themes.
December 1, 2016, 08:03 PM
http://www.youtube.com/watch?v=EAXhf4QQIA8
Editor Anne V. Coates, ACE discusses timing in "In the Line of Fire." From "Sight, Sound & Story" on June 11th, 2016. Anne V. Coates, ACE, is a renowned British editor who has worked on over sixty films, including the classic epic "Lawrence of Arabia," for which she received an Academy Award. She has garnered four additional Academy Award nominations for "Becket," "The Elephant Man," "In the Line of Fire," and "Out of Sight." She was awarded BAFTA’s highest honor, The Acad...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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