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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Dolby Atmos™ - Immersive Sound

November 5, 2016, 07:52 AM

https://www.aotg.com/dolby-atmos-immersive-sound/

Dolby Atmos is part of a new movement to provide a more immersive sound field or experience with movies. Multiple channels arranged throughout the side, front, rear and ceiling all contribute to the experience. However, multiple full range sources produce more low frequency energy which must be managed.

The Process of Music & Sound Design

November 5, 2016, 07:52 AM

https://www.aotg.com/the-process-of-music-sound-design/

Today we get into the process of music and sound design!

In Anticipation of the Rough Cut -- DSLRguide Coll

November 5, 2016, 05:52 AM

https://www.aotg.com/in-anticipation-of-the-rough-cut-dslrguide-coll/

Simon Cade (DSLRguide) filmed a festival commercial and I'm cutting it. Watch me put finishing touches on the rough cut and ship it to Simon.

Day for Night Conversion with Adobe AE

November 4, 2016, 12:31 PM

https://www.aotg.com/day-for-night-conversion-with-adobe-ae/

Product Specialist Mary Poplin shows how the mocha Pro plug-in inside Adobe After Effects and the new Sapphire 10 plug-ins from GenArts (now part of the Boris FX family) can be used together to create a day for night conversion.

QuatTwist Updates for More Animation Stability

November 4, 2016, 09:20 AM

http://lesterbanks.com/2016/11/quattwist-stability...

Brave Rabbit’s free Maya plugin, QuatTwist updates with some stability improvements for animation. The plugin features true quaternion based twisting that avoids the common flipping issues found in other methods. It wasn’t that long ago when version 1.0 was released. Version 2.0 sees some improvements for animation and better stability. Version 2 holds a setting for The Post QuatTwist Updates for More Animation Stability originally appeared and published on %%BLOGLINK%,by lesterbanks

Review Synth Anthology 2 By UVI

November 4, 2016, 09:18 AM

https://www.aotg.com/review-synth-anthology-2-by-uvi/

In this video review Pro Tools Expert Deputy Editor Dan Cooper takes a close look at UVI's latest version of Synth Anthology - Synth Anthology 2. Watch to hear an example demo track.

ShuttleXpress Review using Adobe Audition

November 4, 2016, 09:17 AM

https://www.aotg.com/shuttlexpress-review-using-adobe-audition/

Here's a look at the perfectly formed ShuttleXpress (sometimes called Shuttle Express) for audio editing with Adobe Audition. You'll quickly get used to this computer controller and find that you can do so much more than you can with a regular mouse and keyboard.

VÍDEO: Cómo se hizo el videoclip “Next Exit to

November 4, 2016, 06:08 AM

http://www.finalcutpro.es/2016/11/video-se-videocl...

Ya sabéis que nos encanta descubrir como se realizan trabajos destacados de posproducción. En este caso os traemos un proyecto al que le tenemos especial cariño, entre otras cosas porque su creador, Pablo Cano, ha sido alumno nuestro en el master MFX de CICE y le hemos visto parirlo durante estos últimos meses. Utilizando todo tipo de técnicas [...] La entrada VÍDEO: Cómo se hizo el videoclip “Next Exit to Nowhere” de Straw Dogs aparece primero en finalcutpro.es.

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