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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Review - Eiosis e2 Deesser From A Post Perspective

October 27, 2016, 12:27 PM

https://www.aotg.com/review-eiosis-e2-deesser-from-a-post-perspective/

Pro Tools Expert community member Garrard Whateley spotted this at the recent AES show and had bought it within 15 minutes of trying it. Watch and find out how he gets on with the Eiosis E2 Deesser for his audio post production workflows...

Editor Erin Casper on Shaping Interviews in

October 27, 2016, 05:39 AM

https://www.aotg.com/editor-erin-casper-on-shaping-interviews-in/

Editor Erin Casper on shaping interviews in "American Promise." From "Sight, Sound & Story" on June 11th, 2016.

Correcting over exposed footage in Premiere Pro

October 26, 2016, 04:31 PM

https://www.aotg.com/correcting-over-exposed-footage-in-premiere-pro/

Do you have some over exposed footage? Don't toss it out yet, first try the Lumetri color corrector. you'd be surprised what information is still there in the highlights.

Walter Murch Video Essay

October 26, 2016, 12:31 PM

https://www.aotg.com/walter-murch-video-essay/

Walter Murch speaks in this video about his top six considerations while editing, from emotion and story down through the more technical considerations of keeping the audience’s eye moving. Oddly, the video (edited by Max Chatfield) begins with a lengthy montage of opening credits logos from some of the films Murch has worked on and ends with an end credits montage of same; the meat of the comments starts around the 50-second mark.

Watch Video of Avid CEO Address Expansion of Avid

October 26, 2016, 09:08 AM

http://www.videoguys.com/blog/watch-video-of-avid-...

Watch Avid CEO Lewis Hernandez Jr. seamlessly address the growth strategies and transition challenges that Avid has encountered in order to meet the needs of modern media production. The post Watch Video of Avid CEO Address Expansion of Avid Technology for Better Media Workflow appeared first on Videoguys Blog.

Artist in Residence Jeffrey Wolf, ACE on His Proce

October 26, 2016, 05:10 AM

https://www.aotg.com/artist-in-residence-jeffrey-wolf-ace-on-his-proce/

Artist in Residence Jeffrey Wolf, ACE on SNL Skit "White Like Me." Jeffrey Wolf, ACE, worked with director Ted Demme on "The Ref," "Beautiful Girls," "Monument Avenue" a...

Donald Trump and Cutting Room Talk

October 26, 2016, 05:10 AM

https://www.aotg.com/donald-trump-and-cutting-room-talk/

As a former Mark Burnett editor, I contacted several of the "Apprentice editors" I personally know to see if they would comment about Donald Trump and what was left on the cutting room floor.

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