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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

TERMINATOR - DARK FATE: VFX Breakdown

December 19, 2019, 05:00 PM

https://www.artofvfx.com/terminator-dark-fate-vfx-...

Come have a look at these action sequences from TERMINATOR: DARK FATE made by the teams of Method Studios...

Spider-Man Goes Full Deadpool In Far From Home’s

December 14, 2019, 02:40 PM

https://www.cinemablend.com/news/2486734/spider-ma...

Spider-Man: Far From Home was one of 2019’s biggest blockbusters. The Web-Slinger’s sequel took fans to tourist attractions all over Europe as Peter Parker’s class embarked a much-needed vacation whilst processing the intense events of Avengers: Endgame. Behind the scenes, there’s a lot that went into crafting the massive action sequences in Far From Home from a visual effects standpoint – namely with Spidey’s final showdown with Mysterio in London.

SPIDER-MAN - FAR FROM HOME: VFX Breakdown

December 13, 2019, 02:14 PM

https://www.artofvfx.com/spider-man-far-from-home-...

Don’t miss this VFX Breakdown by Sony Pictures Imageworks about the final battle in London for SPIDER-MAN – FAR FROM HOME...

Scanline's 'Far From Home' reel is a powerful forc

November 20, 2019, 01:49 PM

https://beforesandafters.com/2019/11/21/scanlines-...

Take a look at Scanline’s VFX breakdown reel here for Spider-Man: Far From Home. There’s a TON of water sims, FX sims, and environment creation.

GEMINI MAN: Guy Williams - VFX Supervisor

November 18, 2019, 06:50 PM

https://www.artofvfx.com/gemini-man-guy-williams-v...

In 2017, Guy Williams explained the work of Weta Digital on GUARDIANS OF THE GALAXY VOL. 2. He talks to us today about his work on GEMINI MAN.

ANTHEM "CONVICTION": VFX Breakdown by UPP

November 18, 2019, 02:16 PM

https://www.artofvfx.com/anthem-conviction-vfx-bre...

UPP presents their work on this really cool short film for ANTHEM...

ZOMBIELAND - DOUBLE TAP: Mo Sobhy - VFX Supervisor

November 14, 2019, 09:06 PM

https://www.artofvfx.com/zombieland-double-tap-mo-...

Mo Sobhy started his VFX career in 2003 at Framestore. He then worked at MPC and Cinesite before joining Rodeo FX in 2019. He worked on many films such as X: FIRST CLASS, GODZILLA, BATMAN V SUPERMAN: DAWN OF JUSTICE and STRANGER THINGS.

You probably won't like alligators after watching

November 5, 2019, 02:07 PM

https://beforesandafters.com/2019/11/05/you-probab...

This is Rodeo FX’s VFX breakdown reel for Alexandre Aja’s Crawl, released earlier in 2019.

I have to post this. It's so good

November 4, 2019, 02:12 PM

https://beforesandafters.com/2019/11/04/i-have-to-...

This is the Diablo IV announcement cinematic, ‘By Three They Come’, made by Blizzard’s cinematics team.

Why most visual effects suck--but some don't

November 1, 2019, 07:09 PM

https://www.aotg.com/why-most-visual-effects-suck-but-some-dont/

Why can't we stop noticing bad visual effects whenever we go to the movies, even though VFX technology has never been better and film budgets have never been bigger? YouTube star Wren Weichman is an engineer turned self-taught visual effects artist. As a crew member at Corridor,

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