It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 2, 2020, 08:59 PM
https://www.cgw.com/Press-Center/In-Focus/2020/Fra...
When first-time feature director Remi Weekes penned an ambitious script centered around a refugee couple being haunted by their past, he needed the right creative partners to bring the story to life. Framestore was tapped as an important one of those partners, as the sole provider of VFX, delivering environments, FX and photorealistic animation as well as haunting VFX-enhanced creatures.
November 2, 2020, 01:25 PM
https://3dtotal.com/news/general/mulan-vfx-by-imag...
Imageworks go behind the scenes of the earth and snow VFX for Mulan.
November 1, 2020, 01:15 PM
https://www.youtube.com/watch?v=BmYfDJqWWFg
In this video, editor Jean Tsien, ACE explains how she convinced the director of the documentary "Plastic China" to embrace a more visually compelling opening for the film, rather than immediately confronting the audience with the horrors he had captured right up front. About Jean Tsien, ACE: Jean has been working in documentary for 35 years as an editor, producer, and consultant. Her notable editing credits include the 2001 Academy Award nominee, "Scottsboro: An American Tragedy"; th...
October 29, 2020, 04:59 PM
https://www.artofvfx.com/my-holo-love-vfx-breakdow...
Let's have a look at the work of Korean company Dexter Studios for the Netflix series, MY HOLO LOVE...
October 21, 2020, 04:03 PM
https://www.artofvfx.com/the-umbrella-academy-seas...
Let’s have a look at the invisible work by Pixomondo on the second season of THE UMBRELLA ACADEMY...
October 15, 2020, 08:00 PM
Come have a look at the Necromancer creation by Spin VFX for the first season of HBO Max series, RAISED BY WOLVES...
October 15, 2020, 08:00 PM
https://www.artofvfx.com/perrier-heat-making-of-by...
Let’s have a look at the VFX work by Mikros MPC on this new commercial for PERRIER...
October 13, 2020, 06:55 PM
https://www.aotg.com/vfx-legion-creates-the-vfx-for-charm-city-kings/
VFX Legion delivered all of the visual effects for director Angel Manuel Soto's powerful award-winning coming of age drama, 'Charm City Kings.' Led by VFX Supervisor James David Hattin and VFX Producer Nate Smalley, the pioneering remote company's global team of artists created a 100+ visual effects for the film. The invisible effects defy the viewers' eye, enabling Charm City Kings' story to play out in a flawless real-world environment.
October 8, 2020, 07:09 PM
https://www.artofvfx.com/charm-city-kings-vfx-brea...
Come have a look at the invisible work made by VFX Legion on the HBO Max movie, CHARM CITY KINGS...
October 1, 2020, 07:05 PM
https://www.artofvfx.com/enola-holmes-the-vfx-of-t...
Let’s take the train with Overall VFX Supervisor Michael Ellis explaining the different parts of the visual effects work (done by Mr. X and Host VFX) for the big train sequence in ENOLA HOLMES...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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