It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 11, 2015, 07:36 PM
https://www.aotg.com/building-a-remote-edit-suite/
After arriving on Maui for a weeks worth of work I needed to transform my hotel room into a suitable workspace. In this video I Chronicle all of the decision...
May 11, 2015, 07:36 PM
https://www.aotg.com/work-like-an-editor-think-like-a-colorist/
Robbie Carman presents his journey from being an editor to a specialist in color. Robbie shows color worfklows in Premiere Pro, Speedgrade, and Project Candy...
May 11, 2015, 12:42 PM
https://www.aotg.com/artist-in-resonance-with-mark-deutsch-and-the-baza/
Mark Deutsch can best be described as a 21st century Renaissance man. A professional musician since the age of twelve, he is a visionary artist with a background in non-linear mathematics, sacred systems and cosmology. As a classically trained bassist and sitar player he gained extensive experience in orchestral and world music ensembles, jazz combos, and solo sitar performance.
May 11, 2015, 05:00 AM
https://www.aotg.com/unbreakable-film-analysis-the-heros-journey-2/
'Unbreakable' FILM ANALYSIS - The Hero's Journey
May 11, 2015, 04:57 AM
https://www.youtube.com/watch?v=921MKxvDWsw
In this video I will share some learning resources and tips that have helped me while learning special effects makeup.
May 10, 2015, 02:00 PM
https://www.aotg.com/intel-dell-wli-vfx-breakdown-2/
“What Lives Inside” is set in a richly surreal world inhabited by fantastical creatures - all crafted entirely in CG by MPC, including five creatures, six ma...
May 10, 2015, 08:01 AM
http://behindvfx.com/post/118569960960/behind-vfx-...
Behind VFX ACCESS is a video curation service for movie fans a direct access to curated playlists of reliable official making-of videos.
May 10, 2015, 07:54 AM
https://www.aotg.com/color-grading-with-magic-bullet-looks/
Color grading inside of Premiere using Magic Bullet Looks.
May 10, 2015, 07:54 AM
https://www.aotg.com/how-to-mix-dialogue-with-music-for-film-and-video/
I’m mixing a scene from a feature length film and one of the challenges is that the dialogue and music in this romantic scene are sort of competing with one ...
May 9, 2015, 01:52 PM
https://www.aotg.com/hangtime-2-amazing-color-grading-luts-for-gopro/
Hangtime 2 is a color grading LUT pack specially designed for Protune footage shot on GoPro action cameras.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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