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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Countryman B6 Lavalier Microphone Review

July 27, 2015, 07:31 AM

https://www.aotg.com/countryman-b6-lavalier-microphone-review/

We’ve had plenty of requests for a review of a more professional grade lavalier microphone so let’s have a listen and a look at the Countryman B6. This mic was used in the recent Hobbit movies on Martin Freeman as Bilbo and Ian McKellan as Gandalf. I’d like to thank B&H Photo for providing the mic for us to test over the last month. They’re always great to work with!

“Expression” by Silas Hite for Chef’s Table

July 23, 2015, 11:51 AM

https://www.aotg.com/expression-by-silas-hite-for-chefs-table/

Learn how Emmy-winning artist/composer Silas Hite used iZotope tools to craft “Expression” for the Niki Nakayama (n/naka) episode of Chef’s Table...

FabFilter 201: Pro Series Plugins - 1. Intro

July 23, 2015, 07:12 AM

https://www.aotg.com/fabfilter-201-pro-series-plugins-1-intro/

This collection of tutorials on the FabFilter Pro series explains every module in the P collection. You learn about how they work, what they can do and how you can use them to enhance your audio production at every stage: from recording to mastering.

RealFlow 2015 Features: DYVERSO

July 23, 2015, 07:11 AM

https://www.aotg.com/realflow-2015-features-dyverso/

RealFlow 2015 Dyverso solvers offer a huge speed up on small to medium scale simulations. These solvers have been rewritten from scratch and with GPU in mind to take advantage of new hardware options.

Pro Tools Expert Interview With Andy Bradbury

July 21, 2015, 03:08 PM

https://www.aotg.com/pro-tools-expert-interview-with-andy-bradbury/

In this interview shot while at the Jigsaw 24 event July 2015 in London Mike Thornton talks to Andy Bradbury about this work on mixes for TV and film and his collaboration with composer Walter Mair.

iZotope | Audio Mastering Toolkit

July 15, 2015, 09:42 AM

https://www.aotg.com/izotope-audio-mastering-toolkit/

This week of Mastering Month explores the essential tools of mastering – the software, hardware, and listening environment favored by the professional mastering engineer.

Tips for Mixing Better Audio - SFX, Compression, E

July 14, 2015, 05:17 PM

https://www.aotg.com/tips-for-mixing-better-audio-sfx-compression-e/

An in-depth tutorial that shows how I mix audio for most of my videos. Includes multiband compression, basic leveling, and sound design.

Reverberation Vs Pressure

July 13, 2015, 04:57 AM

https://www.aotg.com/reverberation-vs-pressure/

A room is a box full of pressure and reflections. Energy below 100 Hz. is always trying to leave. If it can't leave, or most of it anyway, it stays within the room and expresses it's discontent through room modal issues. Low frequency pressure must be managed through the use of absorption. Middle and high frequency energy can be managed through the use of absorption or diffusion.

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