It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 26, 2013, 06:44 AM
http://filmmakeriq.com/2013/10/learn-how-you-can-i...
If you are considering or have already switched to Adobe Premiere Pro for your video editing, then you may want to take advantage of new hardware technologies to improve the efficiency of your workflow. Whether you are a wedding /corporate videographer or indie film maker the demands for delivering great quality, more creative projects with a short turn-around time are high. Attend this informative session on how to get the best hardware performance so you can deliver more projects in less time ...
October 24, 2013, 01:07 PM
https://www.aotg.com/the-psychology-of-scary-movies/
Let’s go deep in the human mind and dissect our fascination with fright – exploring 8 theories on way we are attracted to the dark.
October 24, 2013, 10:02 AM
https://www.aotg.com/susan-morse-ace-on-difficult-endings/
Editor Susan Morse, A.C.E. discusses the difficulty of endings, using an example from "Annie Hall." From Inside the Cutting Room: Sight, Sound, and Story on June 8th, 2013. Edited by Daniel Jamieson.
October 22, 2013, 02:10 PM
http://www.apple.com/mac-pro/video/
The apple promo video of the building of the new Mac Pro's
October 22, 2013, 02:08 PM
http://www.borisfx.com/borisfxnews/2013/10/10/bori...
In the third installment of BCC Time Filters, transform your actor or actress into an action hero with BCC Temporal Blur.
October 22, 2013, 04:46 AM
http://www.youtube.com/watch?v=Tzjgk-sy0tk
FCPX Training Series - Please DONATE: http://bit.ly/ztOz78 - In this HD Voice tutorial for Apple Final Cut Pro X 10 we learn how to integrate and send projec...
October 21, 2013, 09:31 AM
https://www.aotg.com/pankow-and-greenberg-on-cutting-dressed-to-kill/
Editors Jerry Greenberg, A.C.E. and Bill Pankow, A.C.E. discuss the use of split diopter in a scene from "Dressed to Kill." From Inside the Cutting Room: Sight, Sound, and Story on June 8th, 2013. Edited by Daniel Jamieson.
October 18, 2013, 10:08 AM
http://manhattaneditworkshop.blogspot.com/2013/10/...
Editors Jerry Greenberg, A.C.E. and Bill Pankow, A.C.E. talk about the best feeling that an editor can have, using a scene from "Kramer vs. Kramer." From Inside the Cutting Room: Sight, Sound, and Story on June 8th, 2013. Edited by Daniel Jamieson.
October 18, 2013, 10:06 AM
http://lesterbanks.com/2013/10/comparing-after-eff...
ReTooled.net’s Josh Weiss has a look at one of the features coming in After Effects CC 12.1 slated for an October 2013 release, showing how the new details preserving upscale works. Josh actually has a comparative look at using the detailed preserving scale versus the regular scale in After Effects.
October 17, 2013, 01:44 PM
http://www.retooled.net/?p=1456
In this video we talk about the new Overlays for the Source and Program monitors of Premiere Pro. We also talk about ways to customize these settings to your liking. The video demonstrates the information you can easily keep on your screen to view all of the relevant data about your timeline.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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