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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Zack Arnold - GO FAR: The Christopher Rush Story

September 6, 2013, 09:56 AM

https://www.aotg.com/zack-arnold-go-far-the-christopher-rush-story/

Zack Arnold, editor of the hit USA Network series Burn Notice, discusses his first documentary, GO FAR: The Christopher Rush Story. Presented at the Boston Creative Pro User Group - BOSCPUG on August 22, 2013 in the Bright Family Screening Room, The Paramount Center, Emerson College. To learn more about GO FAR: The Christopher Rush Story, visit: http://www.gofarmovie.com/ Filmed at BOSCPUG with the Blackmagic Cinema Camera. For more BOSCPUG, visit: http://www.youtube.com/user/boscpug

#boscpug#documentary#zack arnold#boston creative pro user group#go far#the christopher rush story#burn notice#usa network#star wars
Render to Here – Poor Man’s Dynamic Link

September 5, 2013, 04:28 AM

http://digitalcinemacafe.com/2013/09/04/tutorial-r...

In DCC021 in our converstion with Kes Akalaonu, the NLE Ninja, we promised another tutorial for the viewers. This is a workflow tip that I’ve been using for a while now and it makes the process of making changing to After Effects renders a lot easier and faster.

Editing Multicamera Footage in Premiere Pro

September 4, 2013, 04:44 PM

http://creativeclouduser.com/editing-multicamera-f...

Learn how to cut multiple camera angles together with the new tools in Adobe Premiere Pro CC.

Using Premiere Pro CC

September 4, 2013, 04:44 PM

http://creativeclouduser.com/using-premiere-pro-cc...

Check out Adobe’s Dave Helmly as he walks through how the new Adobe Premiere Pro CC and Encore CS6 can work together. You’ll also learn how to make videos with interactive poster frames and chapter markers for iPad, iPhone, AppleTV and other mobile devices.

Larry Silk, A.C.E. Discusses

September 4, 2013, 03:57 PM

https://www.aotg.com/larry-silk-a-c-e-discusses/

Editor Larry Silk, A.C.E. discusses the challenge of finding the right music using examples from "Wild Man Blues." For more information on Editfest NY please go to editfestny.com.

Prolost Boardo for AE

September 4, 2013, 12:46 PM

http://lesterbanks.com/2013/09/prolost-boardo-for-...

Creating some presets to assist in the workflow for creating animatics or animation Storyboards, Stu Maschwitz releases Prolost Boardo, which was a set of three presets that he has used for a while and recently made available.

Grand Prix (1966)

September 3, 2013, 09:40 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“There is no terrible way to win. There is only winning.” — Jean-Pierre Sarti Gentlemen, start your engines!While not one of designer Saul Bass’s more famous title sequences (see Psycho or North by Northwest), the full throttle intro to director John Frankenheimer’s Formula One flick Grand Prix offers something a little different. This masterfully assembled montage of pre-race preparation features crisply align...

Edit Magic Lantern RAW in Premiere

September 1, 2013, 05:52 AM

http://wolfcrow.com/blog/now-you-can-edit-magic-la...

Now you can edit Magic Lantern RAW directly in Adobe Premiere Pro with Ginger HDR

mLogic Thunderbolt Expansion Chassis

August 28, 2013, 09:41 AM

http://creativeclouduser.com/mlogic-thunderbolt-ex...

Gary Adcock catches up with mLogic about their solution to attach professional video and capture boards via Thunderbolt.

User Feedback Makes AE Better

August 28, 2013, 09:41 AM

http://creativeclouduser.com/user-feedback-makes-a...

Gary Adcock talks to After Effects product manager Steve Forde about some of the “big, little things” that you’ll find in After Effects. The Just Do It user requests that made it in.

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