It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 9, 2016, 05:55 AM
https://www.aotg.com/how-to-modify-lots-of-keyframes-at-once-for-ae/
Usually it is very tedious to modify an animation if it has a lot of keyframes, since each keyframe has to be changed individually. With the "name your own price" extension KeyTweak you can easily modify all keyframes in the workarea at once. You can even fade the changes in- and out to avoid abrupt changes. In this animation tutorial you learn how to modify a bouncing ball animation with KeyTweak. But you can apply the same technique to any other animations that involve lots of keyframes.
March 9, 2016, 05:55 AM
https://www.aotg.com/property-effector-30-sec-overview/
Property Effector enables a Mograph style approach to animation, without the need for writing expressions.
March 8, 2016, 08:04 PM
https://www.aotg.com/getting-started-with-titler-pro-in-grass-valley-ed-2/
In this short tutorial, you'll learn how to quickly apply a title in EDIUS, as well as how to edit an existing template, create your own designs in Title Designer and leverage the elastic timeline.
March 8, 2016, 08:04 PM
https://www.aotg.com/one-step-luts-in-fcpx/
This week on MacBreak Studio, Steve demonstrates how to apply a custom Look Up Table (LUT) to log encoded footage in Final Cut Pro X. He also show's a cool tip for applying LUTs to many clips with a single key command.
March 8, 2016, 08:04 PM
https://www.aotg.com/motion-in-under-5-min-creating-custom-transitions/
In this episode Mark Spencer show you how to quickly create a very clean and customizable transition using the Motion's replicator tool.
March 8, 2016, 10:36 AM
https://www.aotg.com/man-from-uncle-vfx-breakdown-reel/
Cinesite was involved in an exciting boat chase sequence following Solo and Kuryakin’s quick escape from the Aerospace building. Everything above the waterline was recreated digitally in this sequence, including all of the dockside buildings and environment, which was replaced with a CG Italian version; only the foreground water and boat were kept from the original footage.
March 8, 2016, 10:35 AM
https://www.aotg.com/how-to-zoom-waves-in-adobe-audition/
Here's a beginner tutorial showing you exactly how to zoom in and out of waves in the waveform view of Adobe Audition. You can zoom into one spot or increase the size of the waveform without changing the amplitude.
March 8, 2016, 10:35 AM
https://www.aotg.com/how-to-draw-benjamin-clawhauser/
Learn how to draw Benjanmin Clawhauser with Zootopia Art Director of Characters Cory Loftis!
March 8, 2016, 06:13 AM
https://www.aotg.com/the-vfx-behind-zero-matter-in-agent-carter/
We go behind the scenes to show you how visual effects company Double Negative created the dark energy Zero Matter in ABC's "Agent Carter."
March 8, 2016, 06:12 AM
https://www.aotg.com/cinderella-vfx-breakdown-3/
Cinderella VFX Breakdown by MPC.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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