To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Video
How to Color Grade ProRes RAW Media in Final Cut P
May 30, 2020, 05:38 PM
https://www.youtube.com/watch?v=erwdbjabto0
HDR (High Dynamic Range) media is the latest media golden child. But, what is it? How do we use it in Apple Final Cut Pro X? And what about all these other terms: RAW, Log, LUTs, Rec. 709, Rec 2020 and 10-bit? In this short video demo, watch as Larry Jordan illustrates how to display and color grade ProRes RAW media in Apple Final Cut Pro X. (Bonus: How to use the Balance Color effect with HDR media.) This is an excerpt from a longer webinar showing how to use HDR media in Final Cut Pr...
Color Grade Panasonic LOG Media in Final Cut Pro X
May 30, 2020, 05:37 PM
https://www.youtube.com/watch?v=SL2YUaLSCWk
HDR (High Dynamic Range) media is the latest media golden child. But, what is it? How do we use it in Apple Final Cut Pro X? And what about all these other terms: RAW, Log, LUTs, Rec. 709, Rec 2020 and 10-bit? In this short video demo, watch as Larry Jordan shows how to color grade Panasonic HLG Log media in both a Rec. 709 and HDR projects. (Bonus: Larry also illustrates how to use the HDR Tools effect for converting HDR media.) This is an excerpt from a longer webinar showing how to ...
Resolve - Why You Need Training?
May 26, 2020, 02:20 PM
https://icolorist.com/2020/05/25/fxphd-resolve-why...
Colorist Warren Eagles warreneagles.com.au talks about his new Resolve 15 fxphd.com/resolve Color Correction training classes. Warren is the co-founder of the International Colorist Academy and has been using Resolve and conducting Resolve classes since 2005...
Color Management for Dummies
May 15, 2020, 01:30 PM
https://www.provideocoalition.com/color-management...
Color management is a chaotic web of confusion for many artists. Most of this is a result of industry misinformation rather than anything inherently difficult in the subject. Well, fear not: we have the everyman’s guide to color management fundamentals. In this video, moviola.com’s Stickman goes over the entire color management workflow from removing input LUTs, through linear color corrections and compositing, to application of a final delivery LUT.
Birth of an Art: The History of Color in Film
April 4, 2020, 02:56 PM
http://manhattaneditworkshop.blogspot.com/2020/04/...
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames in the early 1900's to the new digital tools used today by colorists all over the world. --About Filmmaker U: Before the age of digital mentorship played a key role in film crews, post crews, and filmmaker’s career development. Places like the cutting room were hubs for passing on techniques, ideas, war stories, teamwork, and developing relationships that would h...
Birth of an Art: Color in Film
March 27, 2020, 12:37 PM
https://www.aotg.com/birth-of-an-art-color-in-film/
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames in the early 1900's to the new digital tools used today by colorists all over the world.
A Quick Luminar 3 Tutorial for Commercial Workflow
March 13, 2019, 10:44 AM
https://fstoppers.com/photoshop/quick-luminar-3-tu...
The software company Skylum introduced the new version of its renown raw processor Luminar 3 a while ago, and photographer Moe Zainal shows the major features by using it in his workflow.
An Advanced Color Toning Technique
January 6, 2019, 05:21 PM
https://fstoppers.com/education/advanced-color-ton...
Color toning is one of those final steps that can really make your photos both pop and add a very personal stylistic touch. This awesome video will show you an advanced color toning technique using Photoshop.
5 Neat Color Grading Tricks for Premiere 2019
November 1, 2018, 09:31 AM
https://www.4kshooters.net/2018/11/01/five-neat-co...
Along with the official launch of Premiere Rush CC two weeks ago, Adobe also released a significant update referring to all Creative Cloud applications, including the full-fledged Premiere Pro CC.
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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