It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 12, 2013, 10:11 PM
http://www.creativeplanetnetwork.com/digital-cinem...
In this video podcast from Phil Crawley and Hugh Waters, they talk about TV Colorimetry -- the different perceptions of color and how it can affect monitor calibration.
February 12, 2013, 01:03 PM
http://provideocoalition.com/cmilby/story/san-fran...
There was a bevy of software companies at the San Francisco SuperMeet 2013, and beyond who you’d expect to see, including Adobe and Avid and newcomer Technicolor, (look for coverage of their new product later), it was my pleasure to get up close and personal with...
February 12, 2013, 12:56 PM
http://feeds.redgiantsoftware.com/~r/RedGiantTv/~3...
In this Episode of Red Giant TV, Harry Frank shows you how to use Trapcode Particular to generate realistic sparks like those seen from bullet hits and ricochets. He'll also talk about techniques for creating bullet holes and muzzle flashes.
February 12, 2013, 12:55 PM
http://www.borisfx.com/videos/BCCAVX/Wild-Cards.ph...
In this Boris TV episode, Kevin P McAuliffe creates a video wall in 3D space in just minutes using Boris Continuum Complete's Wild Cards filter in his Avid editing system. Not only is BCC Wild Cards easy to use, but it is quick to manipulate to produce stunning effects.
February 11, 2013, 08:09 PM
http://www.hdvideopro.com/blog/editor/2013/02/san-...
There was a bevy of software companies at the San Francisco SuperMeet 2013. Beyond who you might expect to see, including Adobe and Avid, it was my pleasure to get to know a little about Maxon’s Cinema4D.
February 11, 2013, 02:04 PM
http://www.creativeplanetnetwork.com/2-pop/news/ho...
In this video from LACPUG, editor and producer Bill Davis shows how to edit a 14 camera shoot using Multicam in Final Cut Pro X. Watch below.
#fcpx#final cut pro#nle#appleFebruary 11, 2013, 08:33 AM
http://feedproxy.google.com/~r/norendercom/~3/jZRI...
RENDER Os presentamos la última entrega del curso gratis Basic Training After Effects. En ...
February 11, 2013, 08:29 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this lesson, Kevin P McAuliffe gives you a lesson "right out of the edit room" with a breakdown of how he created a title treatment for the French Canadian "A Good Day to Die Hard" commercials. Once you see how easy it is to create inside your NLE, you'll wonder why you don't create all your text treatments this way.
February 9, 2013, 10:40 AM
http://www.creativeimpatience.com/animate-feathere...
The third, and most likely last of the Feathered Crop basics, this time on how to animate your feathered crop using GUI in the program monitor to hasten your workflow. It’s very likely you already know it, but just in case, here it is:
February 8, 2013, 08:52 PM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this lesson, Kevin P McAuliffe answers a viewers question about a common technique that you see in show's like X Factor, and that is "How do you build split screen elements inside of Media Composer?" Well this first of four part tutorial shows you how to take a aplit screen element, possibly created by your Graphic Designer, and work with it in your Media Composer and Symphony timeline.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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