It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 28, 2015, 12:31 PM
http://blogs.nppa.org/editfoundry/2015/09/28/editi...
When you make your cut and move on to the next shot there are so many reasons to consider. Ask yourself these questions as you make decisions.
September 28, 2015, 12:31 PM
https://www.aotg.com/editing-as-punctuation-in-film/
It got me thinking about what the five best "punctuation marks" in film might look like. I wanted to assemble a video essay with a rapidfire list of nominees of great moments of editing-as-punctuation in film. But as I started putting it together, the project grew into a twofold piece: an analysis of and response to Schulz's article as well as an attempt to spur new insights about editing by examining it through the metaphor of punctuation.
September 28, 2015, 12:31 PM
https://www.aotg.com/character-animator-breathing-life-into-2-d-animat/
Learn about Character Animator and the ability to bring animation into your video work.
September 28, 2015, 12:31 PM
https://www.aotg.com/qp-proxyman-v1-5-new-features-demo/
qp ProxyMan is a fully featured professional proxy management tool for After Effects. Dramatically speed up your workflow.
September 28, 2015, 09:46 AM
https://www.aotg.com/video-devices-ibc-2015-kitplus/
KitPlus / TV-Bay interview at IBC 2015 in Amsterdam with Paul Isaacs, Director of Product Management and Design at Sound Devices, LLC. The interview highlights the Video Devices line of on-camera PIX-E Series recording field monitors and accessories.
September 28, 2015, 09:46 AM
https://www.aotg.com/sound-devices-ibc-2015-kitplus/
The interview highlights the 688 field production mixer/recorder and two optional accessories: The SL-6 powering and wireless system; and the CL-12 linear fader controller.
September 28, 2015, 05:54 AM
https://www.aotg.com/saschka-unseld-uncovering-the-grammar-of-vr/
In virtual reality, you are at the center of every story. Saschka Unseld, head of Oculus Story Studio, wants to keep you there, experiencing virtual worlds directly, with characters who interact with you in real time. You read a book and you watch a film, but in virtual reality, you experience a story.
September 27, 2015, 12:58 PM
http://reaperblog.net/2015/09/reaper-blog-qa-7/
Welcome to another Q&A Session from the REAPER Blog. The YouTube channel just passed 3500 subscribers.
September 27, 2015, 12:58 PM
https://www.aotg.com/learn-how-to-use-hair-shader-in-arnold-for-cinema/
In this tutorial which is a part of " Comprehensive introduction to ARNOLD for Cinema 4d " course , we learn how to use the amazing Hair Shader in Arnold for Cinema 4d
September 27, 2015, 08:13 AM
https://www.aotg.com/the-sound-of-everest/
In this exclusive SoundWorks Collection sound profile we talk with the sound team of Director Baltasar Kormákur's film Everest including supervising sound editor and sound designer Glenn Freemantle, sound re-recording mixer and sound design editor Niv Adiri and sound re-recording mixer Ian Tapp.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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